(Make Me A) TRISTE© Mixtape Episode 245: European Sun

European Sun

European Sun is a Bristol-based indie pop project led by songwriter Steve Miles, best known for his work with The Short Stories. He also writes an occasional guest column for PennyBlack Music. The band brings together Miles with cult indie figures Amelia Fletcher and Rob Pursey, known for their work in groups such as Talulah Gosh, Heavenly and The Catenary Wires and includes drummer Ian Button. Formed out of a long-distance but creatively natural collaboration, European Sun blends Miles’ songwriting with Fletcher and Pursey’s production, arrangements, and multi-instrumental performances. Their sound grows out of the quieter, more reflective direction Miles pursued after stepping back from the fuller-band ambitions of The Short Stories. Their debut single, The Future’s Female sets the tone for the project: sharp, witty, and politically engaged. Through a series of personal and social vignettes, the song critiques toxic masculinity, nationalism, and intolerance, while ultimately offering a hopeful message that the future lies in more compassionate, progressive values. European Sun’s music balances seriousness with humor, aiming to respond thoughtfully to the cultural and political climate of the post-Brexit era. The eponymous debut album (out in 2020 on Wiaiwya) continues this approach, combining melodic indie pop with socially conscious storytelling. Miles’ second album under the European Sun name, When Britain Was Great (out now via Skep Wax Records and featuring Elin Miles as additional vocals) expands this vision, through songs that combine political critique, personal vulnerability and playful, genre-spanning indie pop, delivering a pointed yet melodic rejection of “masculine energy” culture, of nostalgia for an imagined past where men were men, and racism was de rigeur, of fetishisation of a World War by patriots who are too pumped up to realise the war was a fight against Nazism.
Because Steve Miles is not only a musician, but also a keen observer and an elegant storyteller and, certainly, an original and distinctive person, his Mixtape is composed of many words and a single song!

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(Make Me A) TRISTE© Mixtape Episode 244: Fran Carlyon

Fran Carlyon

Fran Carlyon has been writing acoustic based songs in the folk tradition for a number of years now. He records them in threadbare fashion in as few takes as possible, incorporating synths and electronics to add light and shade. In his view, capturing the initial spark of inspiration is key, as it conveys the message and meaning in the purest possible way.
After a batch of digital singles, his debut mini album, Home Truths, was released 6th February via the wonderful Manchester/Brighton based label YYZ Records. Beyond his songs, Fran is a kind of musical soul brother to us, sharing our values and taste in true independent music and being very active in the underground independent scene: he writes for HeavyMetalKids.uk and DJs at Ship Full Of Bombs, Southend’s alternative radio station.

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(Make Me A) TRISTE© Mixtape Episode 243: The High Span

The High Span (©Wolf Howard)

The High Span is a UK post-pop band based in Medway, Kent. Formed by songwriter Kevin Younger in late 2019, the band’s sound is possibly best described as a pop-inflected mix of sprightly guitar jangle and suburban angst. Releasing their first EP, Quirky Miniboss Squad, in 2020 on the Spinout Nuggets label, they tapped into a vein of English bloodiness and absurdity which was followed up in their first, self titled, album in 2023. The band comprises Kevin Younger (guitar, vocal, keys), Mark Aitken (bass), Canadian expat Jimmy Moore (drums), and Sarah Post (vocals). A history of the players’ previous bands includes Subway Sect, The Speed of Sound, Ye Ascoyne d’Ascoynes, Baby Birkin, London Dirthole Company, and Canadian grunge heroes Rusty among many others. Their latest album, Blithering is out now on Spinout Nuggets.

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(Make Me A) TRISTE© Mixtape Episode 242: Sunny Intervals

Sunny Intervals

Sunny Intervals combines indiepop, folk and light electronica, as put together in London by Andy, formerly of the band Pocketbooks. Active from 2012 to 2016, when he released three delicious albums, Rooftops (2012), Step Into Spring (2014) and Sunrise (2016), Sunny Intervals returned, after almost ten years, with Swept Away. It is “a late night whisper,” written over the course of a decade, and recorded as lightly and naturally as possible at home, mostly in Andy’s kitchen at night while the neighbourhood was sleeping, with acoustic guitars, light percussion, keyboards and soft synthesisers. A soft mix of indiepop, folk and light electronica, Swept Away was released in April 2025, and re-released as a deluxe Bandcamp version including the original 10-track album and the five-track Almost Imperceptibly EP (and a sort of disco remix of Electromagnetic) in November 2025.

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(Make Me A) TRISTE© Mixtape Episode 241: Theory Of Ghosts

Theory Of Ghosts

Theory Of Ghosts take their name from a song by the self-proclaimed Anglo-French “ghost-rock” group, Piano Magic who, between 1996 and 2016, crafted a cinematic, melancholic and richly emotional sound, at once fragile and immersive. Led by ex-Piano Magic founder, Glen Johnson and long-time guitarist, Franck Alba, Theory Of Ghosts make no less evocative music, weaving a very romantic, European sophisti-pop that echoes the dreamier moments of The Blue Nile and The Durutti Column. Originally a three-piece on their debut extended players, succinctly labelled EP1 and EP2, Johnson and Alba retreated to their rehearsal space as a duo and began utilising a complaisant drum-machine for their minimal backbeats. The songs, driven by Alba’s fluid Fender VI six-string bass and Johnson’s sparse, unfussy guitar, were spacious, lyrical, vivid. In Summer 2024, Johnson suffered a life-threatening brain haemorrhage but miraculously, by early 2025, felt healthy enough to continue with the production of an album. The foundation of new songs was laid by Johnson at his home studio in Crystal Palace and in July 2025, the duo filled their car with guitars and set off to record with Julian Tardo at his Church Road Studio in Hove on the East Sussex coast. Johnson had been a huge fan of Tardo’s own duo, Insides, since their debut album, ‘Euphoria’ came out on 4AD subsidiary, Guernica, in 1993 and to work with not only Julian but his partner, Kirsty Yates, was something of a granted wish. Yates guests on ‘No Contact,’ a bittersweet song about that very modern strategy of disassociation in a bid to protect the self. The Sulphur And The Grey, Theory Of Ghost’s debut album, with a cover designed by Maria Makripoulias, recorded and mastered by Julian Tardo at Church Road Studio, is out today on Second Language Music.

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