heka – pure music (i)

We have been following heka’s music since her tentative beginnings in 2021, and over the past five years, the young artist has grown and increasingly refined her emotive, elegant musical style. heka is the project of Florence-born, London-based multidisciplinary artist, songwriter and producer Francesca Brierley. Working across music, visual art, creative computing and live performance, she makes intimate, shape-shifting songs somewhere between folk, ambient, electronic music and 70s-infused rock. Her work is rooted in collage, combining acoustic and electronic textures, field recordings, loops, fragments of speech and found sounds with songwriting that moves between the personal and the abstract. In 2020, heka released the self-produced digital track redwoods (a few interesting facts about sequoias), followed in 2021 by the EP (a). In late 2021, she released no one through Fire Talk’s Open Tab imprint, followed in 2022 by High Tide, a collaboration with GG Skips released through Slow Dance Recordings. That year she made her first European festival appearance at Sonic City in Belgium, selected by Black Country, New Road. In 2023, heka signed with Practise Music and released swan songs, a six-track EP, followed, in 2024, by In Your Garden // Swallow, a limited 7-inch collaboration with Saint Jude through Slow Dance Recordings, creating the artwork herself. In 2025, Brierley formed Dorothy with Marco Pini and Jude Woodhead. Their debut EP Sea Songs was released through Angel Tapes, Fire Talk’s emerging-artists imprint. Alongside this, heka began exploring her Italian and English identities more directly through Cantavi d’amore // Each Spring and in July 2026 she released her second double single in Italian, Tutto l’amore che ho dato ti ha cercato // M’hai parlato tante volte così . Today, Francesca releases the first installment from her debut album, Pure Music.

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(Make Me A) TRISTE© Mixtape Episode 252: Danxgerous

Danxgerous (©Leo Di Filippo)

Danxgerous is the solo project of Daniela “Dan” Mariti, born from the meeting of Italian and Czech roots, a musical family heritage, and the curiosity of a young artist eager to explore the intimacy of the soul through sound. A singer-songwriter and multi-instrumentalist, Danxgerous crafts a musical universe suspended between indie-rock, dreamy pop, and contemporary indie-folk, where light and melancholy intertwine to create emotional landscapes that are both luminous and profound. After studying music theory and harmony at Saint Louis in Rome and performing with the band In June (with whom she released singles and an EP, played prestigious stages such as the Auditorium Parco della Musica, and appeared on RAI television broadcasts) Danxgerous embarked on her solo career in 2023 with We Were Never Being Boring (WWNBB). Her debut singles Keys, Sides, Cold Yet Dazzling, and Venom marked the beginning of an intimate and cinematic journey, culminating in SXSW 2024, where she performed four shows including the International Day Stage, as well as a series of concerts across Europe. In 2025, she dedicated herself to writing, recording, and producing her debut album Old Soul, created in El Granada, California with the support of Mara Graziano, Samuele Palazzi and Riccardo Cacciarella and released October 16, via WWNBB.

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My Raining Stars – Toy Club (track by track)

French songwriter Thierry Haliniak has been making music as My Raining Stars since the late ’90s, drawing on the influence of C86, Creation and Sarah Records. After the early experience with Nothing To Be Done, who shared stages with the likes of The Boo Radleys, Adorable and Moose, he eventually released his first album, From St Saviour To Quickwell, in 2008. Since then, he has quietly built a discography devoted to the simple, timeless pleasures of guitar pop. His latest album is called Toy Club and, I have to admit, there is something strangely comforting about it. Listening to its songs feels a little like opening a box of old 7-inches and discovering that, somehow, nothing inside has aged. With Toy Club, Haliniak takes a deliberate step back towards his formative years, revisiting the spirit of the Lyon indie scene of the ’90s. The album’s nine songs were written and initially recorded by Thierry with Casper Iskov, before former Nothing To Be Done member Didier Frahier (E-Grand) was given complete freedom of action with guitars and keyboards. The abum works beautifully because it doesn’t sound nostalgic at all: it sounds more like a quiet conversation with the past. Haliniak writes the kind of songs that seem almost deceptively simple: bright guitars, uncomplicated arrangements, clear melodies and a gentle undercurrent of melancholy. What I particularly like about Toy Club is its lack of pretension. There is no attempt to make these songs sound bigger, louder or more important than they are. They simply exist, beautifully written and beautifully played. Toy Club may not reinvent guitar pop, but it hardly needs to. Sometimes a handful of beautifully crafted songs is enough to remind us why we fell in love with pop, and guitars, and melodies in the first place.

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1000 Rabbits –  Are We Friends Yet? (track by track)

1000 Rabbits is a London-based art-pop/indie rock band originally from Aldeburgh, Suffolk. The band consists of River (vocals), Laura (violin), Liv (synthesizer), Luke (drums), and Paolo (guitar). They released their debut EP, Are We Friends Yet?, on the Young label.
It is a lively, vibrant record that preserves the urgency of the live dimension from which it emerged. Six taut, electrifying tracks distill two years of growth, shaped in rehearsal rooms and on stage. Drawing close to the path forged by the reinvented Black Country, New Road, 1000 Rabbits blend restless minimalism with abrasive violin and sudden melodic surges, moving between folk, art pop and post-punk tension with remarkable naturalness. The songs retain a collective, intricate character without sacrificing immediacy, while showcasing River’s fragile, heartfelt voice, leading to the closing question that gives the album its title: an effective summation of an identity still taking shape, yet already unmistakably its own.

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Heka – Tutto l’amore che ho dato ti ha cercato (single)

heka (aka Francesca Brierley) is an experimental artist, songwriter and producer whose intimate songwriting merges elements of folk, ambient and lo-fi electronics into hybrid compositions. With a background in visual art and creative computing, her practice is shaped by collage, layering acoustic and electronic textures to create music that moves between the personal and the abstract, the organic and the digital. Raised in the Italian countryside before moving to London, heka’s songwriting is rooted in the relationship between language, memory and belonging. Moving between English and Italian, she explores the ways voice carries personal history, place and emotion. She has shared stages with artists including John Maus, Sam Burton, bar italia, Black Country, New Road, Belle and Sebastian and The New Eves, and has recorded, toured and collaborated across projects including Drug Store Romeos, Gently Tender, Tapir!, Skydaddy, Naima Bock and Dana Gavanski. In 2025 she formed Dorothy with long-time collaborators Marco Pini (GG Skips, RIP Magic, Sorry) and Jude Woodhead (Saint Jude). Their debut EP Sea Songs was released via Angel Tapes, an imprint of New York label Fire Talk, and the project will make its live debut at Green Man Festival 2026. Alongside completing her debut solo album, set for release in 2026, heka’s latest release is the Italian double single Tutto l’amore che ho dato ti ha cercato, which continues her exploration of songwriting across languages.

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