(Make Me A) TRISTE© Mixtape Episode 241: Theory Of Ghosts

Theory Of Ghosts

Theory Of Ghosts take their name from a song by the self-proclaimed Anglo-French “ghost-rock” group, Piano Magic who, between 1996 and 2016, crafted a cinematic, melancholic and richly emotional sound, at once fragile and immersive. Led by ex-Piano Magic founder, Glen Johnson and long-time guitarist, Franck Alba, Theory Of Ghosts make no less evocative music, weaving a very romantic, European sophisti-pop that echoes the dreamier moments of The Blue Nile and The Durutti Column. Originally a three-piece on their debut extended players, succinctly labelled EP1 and EP2, Johnson and Alba retreated to their rehearsal space as a duo and began utilising a complaisant drum-machine for their minimal backbeats. The songs, driven by Alba’s fluid Fender VI six-string bass and Johnson’s sparse, unfussy guitar, were spacious, lyrical, vivid. In Summer 2024, Johnson suffered a life-threatening brain haemorrhage but miraculously, by early 2025, felt healthy enough to continue with the production of an album. The foundation of new songs was laid by Johnson at his home studio in Crystal Palace and in July 2025, the duo filled their car with guitars and set off to record with Julian Tardo at his Church Road Studio in Hove on the East Sussex coast. Johnson had been a huge fan of Tardo’s own duo, Insides, since their debut album, ‘Euphoria’ came out on 4AD subsidiary, Guernica, in 1993 and to work with not only Julian but his partner, Kirsty Yates, was something of a granted wish. Yates guests on ‘No Contact,’ a bittersweet song about that very modern strategy of disassociation in a bid to protect the self. The Sulphur And The Grey, Theory Of Ghost’s debut album, with a cover designed by Maria Makripoulias, recorded and mastered by Julian Tardo at Church Road Studio, is out today on Second Language Music.

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(Make Me A) TRISTE© Mixtape Episode 240: Would-be-Goods (full band)

Would-be-Goods (©Ian Greensmith)

Would-Be-Goods made a profound impact on the emergence and evolution of the twee pop scene with their stunning debut album, The Camera Loves Me, released in 1988 on the iconic él label. Originally conceived as one of Mike Alway’s deliberately “artificial” él projects, built around the striking, glamorous image of Jessica Griffin and her sister Miranda, it quickly became evident that Jessica Griffin was an exceptionally gifted songwriter. Her compositions are distinctive and refined, combining keen observation, elegance, and cultural awareness with beautifully crafted melodies. After more than ten years of silence, in October 2020, during lockdown, Jessica Griffin embarked on a new creative venture: composing one song each day, each with a title supplied nightly by her partner and bandmate Peter Momtchiloff. The Night Life, released in June 2023, collected twenty tracks from this “song-a-day” project. Tears Before Bedtime is the band’s forthcoming album and is scheduled for release via Skep Wax Records on February 13.

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The Lovely Sparrow – Multiple Lives (video premiere)

The Lovely Sparrows – Multiple Lives (video still)

The Lovely Sparrows are an American indie rock band formed in Austin, Texas in 2005 by singer-songwriter Shawn Jones. Initially releasing a self-issued 7″ single Take Your Hats Off You Godless Bastards, they quickly established themselves on the local scene with a rotating lineup of collaborators. In 2006, the band issued their debut EP, Pulling Up Floors, Pouring on (New) Paint, via Abandoned Love Records, and, their first full-length album, Bury the Cynics, arrived in 2008. In 2011, they issued a new EP, Tall Cedars of Lebanon, and in 2016 revisited material on Hermetic Recordings: Songs 2004-2016. After a long hiatus, the band released the album Shake the Shadow in 2018, reflecting new creative directions after Jones’ personal and geographic changes. I still picture you runningtheir third album, will be out on limited vinyl from Abandoned Love Records, on January 16th, 2026 and today we have the honor of letting you listen to the preview of the new single from the album, Multiple Lives.

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(Make Me A) TRISTE© Mixtape Episode 239: Hirta (+ video premiere)

Hirta (©Ash Drummond)

Hirta is the solo project of Scottish – American multi instrumentalist Alistair Paxton, well known for his guitar work with Shilpa Ray and for touring and working in recording studios with multiple other artists. His debut album is called Soft Peaks. Soft Peaks finds solace in the natural world and comforts through an intriguing map of familiar trailheads and newly chartered terrain. It casts a windswept and lonely spell, yet retains an air of optimism across its ten warm and desolate tracks. This album was self produced and recorded in 2025 in sessions split between the Hudson Valley town of Nyack, NY and rural Bovina in the Western Catskill mountains culminating in both vinyl and digital releases under Paxton’s own imprint, Half Painted Door. Soft Peaks reveals layers of intricate acoustic fingerstyle guitar and plaintive drums under sparse and tasteful contemporary textures. A subtle and evocative blend of traditional folk voicings and indie rock charm which conjures fleeting nostalgia and offers some hopeful light in a dark time. Through songwriting that crafts propulsive repetition and embraces the power of restraint and economy, Paxton’s vocal harmonies remain unadorned and carry a poetic honesty while delivering elegiacal verses both timeless and universal. 

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(Make Me A) TRISTE© Mixtape Episode 238: The Cords

The Cords

The Cords are a Scottish indie pop duo made up of sisters Eva and Grace Tedeschi, whose music distils youthful urgency into sharp, melodic songs driven by guitar and drums. Raised on a steady diet of indie records, they gravitated early toward the sounds of classic jangle-pop and underground pop, forging a partnership built on instinct, simplicity and momentum. The pair quickly built a reputation through a handful of ultra-limited early releases that disappeared almost as soon as they appeared. At the same time, they earned their stripes on stage, performing alongside cornerstone names of Scottish pop history as well as a new wave of like-minded indie bands, bridging generations with an ease that feels entirely natural. Their debut album, The Cords, marks a major step forward. Released by Skep Wax in the UK and Europe (with Slumberland handling the US), the record captures the immediacy of their live sound while revealing a growing emotional range. Short, punchy songs sit alongside more reflective moments, all held together by Eva’s bright, winding guitar lines and vocals and Grace’s propulsive, characterful drumming. The production stays true to their stripped-back approach, letting energy and melody take centre stage. While listeners familiar with indie pop’s past may catch hints of earlier movements and scenes, The Cords is firmly rooted in the present. It’s the sound of two young musicians playing loudly, honestly and without compromise, finding freedom in analogue instruments and direct expression. In doing so, The Cords reaffirm the enduring power of pop music that is handmade, heartfelt and shared on its own terms.

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