
Theory Of Ghosts take their name from a song by the self-proclaimed Anglo-French “ghost-rock” group, Piano Magic who, between 1996 and 2016, crafted a cinematic, melancholic and richly emotional sound, at once fragile and immersive. Led by ex-Piano Magic founder, Glen Johnson and long-time guitarist, Franck Alba, Theory Of Ghosts make no less evocative music, weaving a very romantic, European sophisti-pop that echoes the dreamier moments of The Blue Nile and The Durutti Column. Originally a three-piece on their debut extended players, succinctly labelled EP1 and EP2, Johnson and Alba retreated to their rehearsal space as a duo and began utilising a complaisant drum-machine for their minimal backbeats. The songs, driven by Alba’s fluid Fender VI six-string bass and Johnson’s sparse, unfussy guitar, were spacious, lyrical, vivid. In Summer 2024, Johnson suffered a life-threatening brain haemorrhage but miraculously, by early 2025, felt healthy enough to continue with the production of an album. The foundation of new songs was laid by Johnson at his home studio in Crystal Palace and in July 2025, the duo filled their car with guitars and set off to record with Julian Tardo at his Church Road Studio in Hove on the East Sussex coast. Johnson had been a huge fan of Tardo’s own duo, Insides, since their debut album, ‘Euphoria’ came out on 4AD subsidiary, Guernica, in 1993 and to work with not only Julian but his partner, Kirsty Yates, was something of a granted wish. Yates guests on ‘No Contact,’ a bittersweet song about that very modern strategy of disassociation in a bid to protect the self. The Sulphur And The Grey, Theory Of Ghost’s debut album, with a cover designed by Maria Makripoulias, recorded and mastered by Julian Tardo at Church Road Studio, is out today on Second Language Music.
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