Logan Farmer – Nightmare World I See The Horizon (track by track)

With his third album under his own name, Nightmare World I See The Horizon, Logan Farmer deepens the sense of quiet collapse that has long defined his work, expanding the intimate desolation of Still No Mother and A Mold For The Bell into something broader, more accusatory. If earlier releases asked how one might endure a world in decline, Nightmare World I See The Horizon poses a more unsettling question: how does one live with oneself while watching that decline unfold, comfortably and complicitly? The focus shifts toward the origins of ruin and our (as humans) uneasy role in sustaining it. Farmer’s songwriting still moves with a hushed, deliberate pace, rooted in fragile acoustic textures and spectral atmospheres, but the emotional register has subtly changed. The sorrow and dread remain, yet they are now threaded with a sense of shame. The result is a work that feels less like witnessing catastrophe and more like inhabiting it. There is a heightened self-awareness in both the lyrics and the arrangements, as though each sound has been carefully weighed. Building on the stark intimacy of A Mold For The Bell, which transformed everyday impressions into something ominous and reflective, Farmer now embraces a wider sonic palette. Elements of slowcore and Americana emerge giving the record a raw, spacious quality. The collaborations, subtle yet vital, add depth without disrupting the album’s core restraint. These textures frame a series of songs that drift between the personal and the collective, where environmental collapse, violence, and digital numbness blur into a single, continuous horizon. It is a stark, contemplative record: unflinching, immersive, and quietly devastating.

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Nansy – Running Into You (single premiere)

(cover photo ©Trond Sættem)

Norwegian indie-pop group Nansy return with their long-awaited debut album, arriving 25 years after the band first formed in Oslo around 2000. Originally a promising indie act, the band disbanded after releasing just one EP. Now, a quarter-century later, they reunite to finally complete their full-length debut. “We stayed friends but never really talked about reuniting. Then I got a message from Børge. He was sunbathing in Mallorca, listening to old demos, and wondered if I’d be up for recording something new. ‘Fun! I’m in!’ was my immediate response,” says vocalist Anita. Less than three years after that message was sent, Nansy return with a full album — with the same lineup as when they first parted ways: Anita Nansy Valderhaug on vocals, Børge Sildnes (aka Dylan Mondegreen) on guitars, bass, keyboards, production, Matias Hilmar Iversen on guitars, Thomas Hvammen Nicholson on bass and Trond Slåke on drums. Need You Around will be released on 29 May 2026 via Saiko and Fastcut Records (Japan). All ten tracks are written and produced by Børge Sildnes. In Nansy, however, he steps away from lead vocals, allowing Anita Nansy Valderhaug’s clear, intimate, and emotionally resonant voice to take center stage, giving the music a distinct softness and warmth. Running Into You, the album’s second single, a lighthearted, upbeat reflection on unexpectedly meeting an old friend and the rush of memories that follows, will be out tomorrow, but we’re streaming it now in exclusive premiere on TRISTE© ahead of its official release on Friday.

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Maud Anyways – Echoes Of Encounters (track by track)

Maud Anyways is the solo project of French musician Maud Platiau-Bourret. Impermanent Lane was out in 2023, on Brighton’s Shore Drive Records. Echoes of Encounters, her magnificent second album feels like a quiet conversation with your own mind: intimate, reflective, and slightly elusive. The album lingers on mood, letting subtle guitar textures and emotional nuance do the work. Its strength lies in how it captures fleeting moments and turns them into something gently resonant. It’s a record of modern shoegaze songs, that rewards unhurried listening, inviting you to sit with it and let the echoes unfold. Echoes of Encounters is a perfect mix of ringing guitars, deep bass and precise rhythms, with a dreamy floating vocal. With Maud Platiau-Bourret we went for a deeper journey -track by track- into the heart of Maud Anyways fantastic new album.

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(Make Me A) TRISTE© Mixtape Episode 244: Fran Carlyon

Fran Carlyon

Fran Carlyon has been writing acoustic based songs in the folk tradition for a number of years now. He records them in threadbare fashion in as few takes as possible, incorporating synths and electronics to add light and shade. In his view, capturing the initial spark of inspiration is key, as it conveys the message and meaning in the purest possible way.
After a batch of digital singles, his debut mini album, Home Truths, was released 6th February via the wonderful Manchester/Brighton based label YYZ Records. Beyond his songs, Fran is a kind of musical soul brother to us, sharing our values and taste in true independent music and being very active in the underground independent scene: he writes for HeavyMetalKids.uk and DJs at Ship Full Of Bombs, Southend’s alternative radio station.

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(Make Me A) TRISTE© Mixtape Episode 243: The High Span

The High Span (©Wolf Howard)

The High Span is a UK post-pop band based in Medway, Kent. Formed by songwriter Kevin Younger in late 2019, the band’s sound is possibly best described as a pop-inflected mix of sprightly guitar jangle and suburban angst. Releasing their first EP, Quirky Miniboss Squad, in 2020 on the Spinout Nuggets label, they tapped into a vein of English bloodiness and absurdity which was followed up in their first, self titled, album in 2023. The band comprises Kevin Younger (guitar, vocal, keys), Mark Aitken (bass), Canadian expat Jimmy Moore (drums), and Sarah Post (vocals). A history of the players’ previous bands includes Subway Sect, The Speed of Sound, Ye Ascoyne d’Ascoynes, Baby Birkin, London Dirthole Company, and Canadian grunge heroes Rusty among many others. Their latest album, Blithering is out now on Spinout Nuggets.

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