Julian Elorduy has been making music since he was fifteen, moving from the noise-soaked chaos of Mayyors to the jangling indie-pop of Fine Steps and, later, the more solitary reflections of Pious Fiction as Julian Never. With this first solo work, Elorduy demonstrates an indomitable creative spirit and an uncommon courage in subverting the genres from which he avowedly draws inspiration. Pious Fiction is a work that expresses great love for the past, but not subjugation to it. His new album, Everyday is Purgation, released in February via Mt. St. Mtn. Records, “awakens on the other side of a Dark Night of the Soul drawing on the writings of mystic, St. John of the Cross, stripping away comforting narratives in order to see what remains with a clearer, more ascetic eye”. It’s Julian at his most exposed, shaped equally by the underground that raised him and the melodic pop that continues to haunt him.

A Lilac Decline is the anagrammatic musical pseudonym of visual artist Cecilia Danell. Originally from Sweden but resident in Ireland for two decades, her debut  album The Mountain Rages (Rusted Rail, 2017) was recorded via one microphone on borrowed and found instruments. Whilst there were flashes of electricity on her debut, her follow-up Shelter From the Shadows (2020) found A Lilac Decline going electric, Telecaster in hand, as her sophomore album was shot through with glimmering and shimmering six string serenades. A Lilac Decline’s third album, Eternity Bores Me was released on May 1st 2026, while her label Rusted Rail entered its 20th year of releasing music. Having blossomed into a fully fledged three piece band centred around songwriter Cecilia Danell and rounded out by bassist/producer Keith Wallace (Loner Deluxe) and Brian Kelly (So Cow) on drums, the new album finds A Lilac Decline further evolving their shoegaze and dream pop stylings whilst also displaying flashes of their handmade and homespun indie-folk roots.