Le firme di TRISTE©: Francesco Amoroso racconta il (suo) 2025

There’s something fundamentally wrong about year-end lists. Not because music isn’t worth celebrating, but because trying to pin down twelve months of listening into a tidy hierarchy of numbers is, at best, an exercise in personal mythology and, at worst, a meaningless ritual we repeat out of habit. Albums don’t exist to be ranked, art doesn’t ask to be quantified, and the emotional weight of a record rarely has anything to do with its position on a list.
And yet, despite all of this (or maybe because of it) I keep coming back to them.
If I’ve been deeply skeptical for years about the usefulness and meaning of compiling those infamous year-end rankings, I’m even more so this time around about the point of publishing them in the second half of February. We’re all already focused on the future (and thankfully so, since we usually spend far too much time staring back with our wide, nostalgic eyes), and in the first month and a half of 2026, a dozen or so albums have already been released that, I’m willing to bet, will end up in my year-end top 100 (which, perhaps, will be published in March 2027, assuming I ever find the courage to embark on a Herculean and ultimately futile undertaking like this one).
So, what’s the point? Well, I’ve done it now, and as usual I’m happy to share this list of my favorite albums of the past year with anyone willing to read it. This is, of course (though it’s always best to specify it every time), a list based purely on my own tastes and sensibilities, and it makes no claim to represent the best of what was released in the past year.
It also doesn’t include many albums that, while I truly appreciate them, I simply haven’t gotten around to exploring in depth, or that, while magnificent, arrived at the wrong time for me. I could easily make a separate list of at least fifty albums that fall into this category.
So take it for what it is: a list written with heart and passion, gathering some of the 2025 releases that sparked my passion and found their way into my heart. And, as always, if you end up discovering even a single album you missed (and, please, let me know), then all the time I’ve spent putting this together won’t have been wasted.

Happy listening, wherever you are.

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(Make Me A) TRISTE© Mixtape Episode 242: Sunny Intervals

Sunny Intervals

Sunny Intervals combines indiepop, folk and light electronica, as put together in London by Andy, formerly of the band Pocketbooks. Active from 2012 to 2016, when he released three delicious albums, Rooftops (2012), Step Into Spring (2014) and Sunrise (2016), Sunny Intervals returned, after almost ten years, with Swept Away. It is “a late night whisper,” written over the course of a decade, and recorded as lightly and naturally as possible at home, mostly in Andy’s kitchen at night while the neighbourhood was sleeping, with acoustic guitars, light percussion, keyboards and soft synthesisers. A soft mix of indiepop, folk and light electronica, Swept Away was released in April 2025, and re-released as a deluxe Bandcamp version including the original 10-track album and the five-track Almost Imperceptibly EP (and a sort of disco remix of Electromagnetic) in November 2025.

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(Make Me A) TRISTE© Mixtape Episode 241: Theory Of Ghosts

Theory Of Ghosts

Theory Of Ghosts take their name from a song by the self-proclaimed Anglo-French “ghost-rock” group, Piano Magic who, between 1996 and 2016, crafted a cinematic, melancholic and richly emotional sound, at once fragile and immersive. Led by ex-Piano Magic founder, Glen Johnson and long-time guitarist, Franck Alba, Theory Of Ghosts make no less evocative music, weaving a very romantic, European sophisti-pop that echoes the dreamier moments of The Blue Nile and The Durutti Column. Originally a three-piece on their debut extended players, succinctly labelled EP1 and EP2, Johnson and Alba retreated to their rehearsal space as a duo and began utilising a complaisant drum-machine for their minimal backbeats. The songs, driven by Alba’s fluid Fender VI six-string bass and Johnson’s sparse, unfussy guitar, were spacious, lyrical, vivid. In Summer 2024, Johnson suffered a life-threatening brain haemorrhage but miraculously, by early 2025, felt healthy enough to continue with the production of an album. The foundation of new songs was laid by Johnson at his home studio in Crystal Palace and in July 2025, the duo filled their car with guitars and set off to record with Julian Tardo at his Church Road Studio in Hove on the East Sussex coast. Johnson had been a huge fan of Tardo’s own duo, Insides, since their debut album, ‘Euphoria’ came out on 4AD subsidiary, Guernica, in 1993 and to work with not only Julian but his partner, Kirsty Yates, was something of a granted wish. Yates guests on ‘No Contact,’ a bittersweet song about that very modern strategy of disassociation in a bid to protect the self. The Sulphur And The Grey, Theory Of Ghost’s debut album, with a cover designed by Maria Makripoulias, recorded and mastered by Julian Tardo at Church Road Studio, is out today on Second Language Music.

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(Make Me A) TRISTE© Mixtape Episode 240: Would-be-Goods (full band)

Would-be-Goods (©Ian Greensmith)

Would-Be-Goods made a profound impact on the emergence and evolution of the twee pop scene with their stunning debut album, The Camera Loves Me, released in 1988 on the iconic él label. Originally conceived as one of Mike Alway’s deliberately “artificial” él projects, built around the striking, glamorous image of Jessica Griffin and her sister Miranda, it quickly became evident that Jessica Griffin was an exceptionally gifted songwriter. Her compositions are distinctive and refined, combining keen observation, elegance, and cultural awareness with beautifully crafted melodies. After more than ten years of silence, in October 2020, during lockdown, Jessica Griffin embarked on a new creative venture: composing one song each day, each with a title supplied nightly by her partner and bandmate Peter Momtchiloff. The Night Life, released in June 2023, collected twenty tracks from this “song-a-day” project. Tears Before Bedtime is the band’s forthcoming album and is scheduled for release via Skep Wax Records on February 13.

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The Lovely Sparrow – Multiple Lives (video premiere)

The Lovely Sparrows – Multiple Lives (video still)

The Lovely Sparrows are an American indie rock band formed in Austin, Texas in 2005 by singer-songwriter Shawn Jones. Initially releasing a self-issued 7″ single Take Your Hats Off You Godless Bastards, they quickly established themselves on the local scene with a rotating lineup of collaborators. In 2006, the band issued their debut EP, Pulling Up Floors, Pouring on (New) Paint, via Abandoned Love Records, and, their first full-length album, Bury the Cynics, arrived in 2008. In 2011, they issued a new EP, Tall Cedars of Lebanon, and in 2016 revisited material on Hermetic Recordings: Songs 2004-2016. After a long hiatus, the band released the album Shake the Shadow in 2018, reflecting new creative directions after Jones’ personal and geographic changes. I still picture you runningtheir third album, will be out on limited vinyl from Abandoned Love Records, on January 16th, 2026 and today we have the honor of letting you listen to the preview of the new single from the album, Multiple Lives.

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