The Simple Present – I Found Something (single and video premiere)

The Simple Present (video still image)

Somewhere between the DIY pop of the 1980s to today (Marine Girls, Sarah Records, The Gentle Waves) and Swedish indie pop of the late 2000s (Sambassadeur, Alpaca Sports), the Stuttgart-based, female-led band collective The Simple Present can be quite comfortably placed. Cathrin (vocals, guitar) and Sabine (backing vocals, keyboard) started out as a lo-fi living room project, initially without any intention of making the results accessible beyond their circle of friends. In 2024, however, a demo recording of I’ll Take That With Me ended up in the hands of Ronny Pinkau (Kleine Untergrund Schallplatten), who enthusiastically exclaimed: “Let’s make a record immediately!!!” (and how can you blame him?).
Even before releasing a single track, the band attracted the attention of various concert promoters after their first performance in early 2025. This led, among other things, to an invitation to Cologne Popfest in April 2025. For Cologne Popfest, the band released a strictly limited lathe-cut 7″ single featuring exclusive pre-release versions of two songs (one of them, I’ll Take That With Me, was premiered here), which sold out within minutes and received very positive feedback from international indie blogs and online radio shows. This, in turn, caught the attention of the established indie pop label Shelflife Records, ultimately leading to a joint international release of their wonderful debut mini-album, Early Days which will be out on 23 May 2026. I Found Something, the album’s first single, will be out on Sunday, April 12th, but we’re streaming it now in exclusive premiere on TRISTE© ahead of its official release.

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(Make Me A) TRISTE© Mixtape Episode 245: European Sun

European Sun

European Sun is a Bristol-based indie pop project led by songwriter Steve Miles, best known for his work with The Short Stories. He also writes an occasional guest column for PennyBlack Music. The band brings together Miles with cult indie figures Amelia Fletcher and Rob Pursey, known for their work in groups such as Talulah Gosh, Heavenly and The Catenary Wires and includes drummer Ian Button. Formed out of a long-distance but creatively natural collaboration, European Sun blends Miles’ songwriting with Fletcher and Pursey’s production, arrangements, and multi-instrumental performances. Their sound grows out of the quieter, more reflective direction Miles pursued after stepping back from the fuller-band ambitions of The Short Stories. Their debut single, The Future’s Female sets the tone for the project: sharp, witty, and politically engaged. Through a series of personal and social vignettes, the song critiques toxic masculinity, nationalism, and intolerance, while ultimately offering a hopeful message that the future lies in more compassionate, progressive values. European Sun’s music balances seriousness with humor, aiming to respond thoughtfully to the cultural and political climate of the post-Brexit era. The eponymous debut album (out in 2020 on Wiaiwya) continues this approach, combining melodic indie pop with socially conscious storytelling. Miles’ second album under the European Sun name, When Britain Was Great (out now via Skep Wax Records and featuring Elin Miles as additional vocals) expands this vision, through songs that combine political critique, personal vulnerability and playful, genre-spanning indie pop, delivering a pointed yet melodic rejection of “masculine energy” culture, of nostalgia for an imagined past where men were men, and racism was de rigeur, of fetishisation of a World War by patriots who are too pumped up to realise the war was a fight against Nazism.
Because Steve Miles is not only a musician, but also a keen observer and an elegant storyteller and, certainly, an original and distinctive person, his Mixtape is composed of many words and a single song!

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Logan Farmer – Nightmare World I See The Horizon (track by track)

With his third album under his own name, Nightmare World I See The Horizon, Logan Farmer deepens the sense of quiet collapse that has long defined his work, expanding the intimate desolation of Still No Mother and A Mold For The Bell into something broader, more accusatory. If earlier releases asked how one might endure a world in decline, Nightmare World I See The Horizon poses a more unsettling question: how does one live with oneself while watching that decline unfold, comfortably and complicitly? The focus shifts toward the origins of ruin and our (as humans) uneasy role in sustaining it. Farmer’s songwriting still moves with a hushed, deliberate pace, rooted in fragile acoustic textures and spectral atmospheres, but the emotional register has subtly changed. The sorrow and dread remain, yet they are now threaded with a sense of shame. The result is a work that feels less like witnessing catastrophe and more like inhabiting it. There is a heightened self-awareness in both the lyrics and the arrangements, as though each sound has been carefully weighed. Building on the stark intimacy of A Mold For The Bell, which transformed everyday impressions into something ominous and reflective, Farmer now embraces a wider sonic palette. Elements of slowcore and Americana emerge giving the record a raw, spacious quality. The collaborations, subtle yet vital, add depth without disrupting the album’s core restraint. These textures frame a series of songs that drift between the personal and the collective, where environmental collapse, violence, and digital numbness blur into a single, continuous horizon. It is a stark, contemplative record: unflinching, immersive, and quietly devastating.

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Nansy – Running Into You (single premiere)

(cover photo ©Trond Sættem)

Norwegian indie-pop group Nansy return with their long-awaited debut album, arriving 25 years after the band first formed in Oslo around 2000. Originally a promising indie act, the band disbanded after releasing just one EP. Now, a quarter-century later, they reunite to finally complete their full-length debut. “We stayed friends but never really talked about reuniting. Then I got a message from Børge. He was sunbathing in Mallorca, listening to old demos, and wondered if I’d be up for recording something new. ‘Fun! I’m in!’ was my immediate response,” says vocalist Anita. Less than three years after that message was sent, Nansy return with a full album — with the same lineup as when they first parted ways: Anita Nansy Valderhaug on vocals, Børge Sildnes (aka Dylan Mondegreen) on guitars, bass, keyboards, production, Matias Hilmar Iversen on guitars, Thomas Hvammen Nicholson on bass and Trond Slåke on drums. Need You Around will be released on 29 May 2026 via Saiko and Fastcut Records (Japan). All ten tracks are written and produced by Børge Sildnes. In Nansy, however, he steps away from lead vocals, allowing Anita Nansy Valderhaug’s clear, intimate, and emotionally resonant voice to take center stage, giving the music a distinct softness and warmth. Running Into You, the album’s second single, a lighthearted, upbeat reflection on unexpectedly meeting an old friend and the rush of memories that follows, will be out tomorrow, but we’re streaming it now in exclusive premiere on TRISTE© ahead of its official release on Friday.

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Maud Anyways – Echoes Of Encounters (track by track)

Maud Anyways is the solo project of French musician Maud Platiau-Bourret. Impermanent Lane was out in 2023, on Brighton’s Shore Drive Records. Echoes of Encounters, her magnificent second album feels like a quiet conversation with your own mind: intimate, reflective, and slightly elusive. The album lingers on mood, letting subtle guitar textures and emotional nuance do the work. Its strength lies in how it captures fleeting moments and turns them into something gently resonant. It’s a record of modern shoegaze songs, that rewards unhurried listening, inviting you to sit with it and let the echoes unfold. Echoes of Encounters is a perfect mix of ringing guitars, deep bass and precise rhythms, with a dreamy floating vocal. With Maud Platiau-Bourret we went for a deeper journey -track by track- into the heart of Maud Anyways fantastic new album.

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