(Make Me A) TRISTE© Mixtape Episode 236: Joel Cusumano

Joel Cusumano (©Corey Poluk)

Joel Cusumano is an Oakland, CA based singer/songwriter/guitarist. A member of numerous Bay Area bands since 2009, Cusumano has touched on musical styles ranging from power pop to post-punk in bands such as R.E. Seraphin, Body Double, Sob Stories, and Cocktails.  In high school, he cut his teeth by teaching himself Elvis Costello chords and Jimmy Page riffs in his bedroom on his $100 Crate brand Stratocaster knockoff guitar. In college, Cusumano’s first band MSO worshipped power poppers such as The Exploding Hearts and Cheap Trick, and they were known as much locally for their ridiculous antics as for their music. Since those heady days, in addition to honing his writing, arranging, and guitar playing skills in various Bay Area groups, he’s sobered up, diversified his taste profile (he cites Franco Battiato, Magazine, and Yes as spiritual influences as much as the expected indie rock his music evokes), and of late crossed an ocean of regret, heartbreak, and alienation that informed his debut solo album Waxworld. The album is haunted by the ghosts of history (Cusumano demonstrates a keen knowledge of classical and Biblical references) and his own personal struggles, which included a trip in recent years to a mental hospital. But relax, it’s not a slog; Waxworld is classic pop/rock inspired by the songs below as well as other jangle pop/college rock faves such as Guided by Voices, Teenage Fanclub, and The Replacements. Anyway it’s easier to listen to his music than to explain it! Waxworld was released in October by Dandy Boy Records.

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Would-Be-Goods – The Gallopers (single)

Would-Be-Goods

Would-Be-Goods, with their magnificent debut album, released in 1988, on the legendary él label, The Camera Loves Me, had a tremendous influence on the birth and development of the twee pop scene. They were initially conceived as one of the “artificial” groups on Mike Alway’s él label, based on the glamorous looks of Jessica Griffin and her sister Miranda, but it was immediately clear that Jessica Griffin was a highly talented songwriter: her songs are original and cultured, blending observation, glamour, and culture with exquisite melodies. Mondo, produced by Monochrome Set singer Bid, was released in 1993, and when in 1999 Peter Momtchiloff, formerly of Talulah Gosh, Heavenly, and Marine Research joined the band, two EPs, Emmanuelle Béart (in 2001) and Sugar Mummy (in 2002), were released, followed by a new album, Brief Lives, released on Matinée Recordings.  The band recorded a fourth album, The Morning After, in 2004 and a fifth, Eventyr, was released in November 2008. It was only in October 2020, during lockdown, that Jessica Griffin began a new project: writing a song a day, with a new title provided every evening by her partner and bandmate Peter Momtchiloff. The Night Life was released in June 2023, and comprises twenty songs from the ‘song a day’ project. Tears Before Bedtime is their new album and it will be released via Skep Wax Records on February 13th 2026. The first single is The Gallopers.

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(Make Me A) TRISTE© Mixtape Episode 235: Great Lakes

Great Lakes

Ben Crum — the mind behind Great Lakes — cut his teeth in the swirling psych-pop of Athens, Georgia in the mid-’90s. Co-founded with Dan Donahue and Jamey Huggins, Great Lakes emerged amid Elephant Six noise and kaleidoscopic musical offer. But Crum’s ambition wasn’t just to make pretty fuzzy pop — he wanted to channel longing, memory, and the ache of rootedness in motion. Over the years, he traded lo-fi 8-track experiments for smoky, pedal-steel-drenched Americana; his voice, once airy, gained a weight that felt like confession. For Crum, each album is a chapter in a quietly epic journey: 2000’s Great Lakes is an earnest debut, scribbled in a home studio, brimming with youthful hope. By 2002’s The Distance Between, he’d sharpened his sense of space and melancholy. Diamond Times (2006) sees him embracing more control and turning inward, while Ways of Escape (2010) marks a turning point — this is Crum alone at the wheel, writing deeply personal folk-rock with support from a loyal band of travelers. Wild Vision (2016) is probably his creative peak: country-noir textures, vintage harmonies, and singing that runs like a slow river. In Dreaming Too Close to the Edge (2018), Crum confronts fear, regret, and the illusion of second chances, blending raw indie rock with the ghosts of classic songwriters. Then came Contenders (2022), a testament to tireless persistence and quiet wisdom. His latest, Don’t Swim Too Close, released via HHBTM Records on November 7th 2025, drifts in bruised but hopeful — a meditation on mental health, the pull of risk, and the poetic gravity of home.

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Starlight Assembly – There Will Be Fireworks

Sorprese non pochi amanti della wave dai tratti più oscuri ritrovare Dominic Appleton e la sua voce iconica protagonista di un album che non recasse la sigla Breathless o This Mortal Coil. La sua attività musicale è nata e rimasta legata indissolubilmente a quella della sua band, a dispetto di una produzione dai tempi sempre più dilatati. A riuscire nel miracolo – con la complicità indiretta di Ivo Watts-Russel della 4AD – è stato il nostro Matteo Uggeri, musicista prolifico quanto poliedrico che lo ha inizialmente contattato per la realizzazione di un brano dei suoi Open To The Sea e successivamente coinvolto in un progetto pienamente condiviso.

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(Make Me A) TRISTE© Mixtape Episode 234: Kleine Untergrund Schallplatten 10th anniversary

“Kleine Untergrund Schallplatten” (Little Underground Records) is a German indie label from Augsburg, specializing in indie pop releases. Founded in 2015 by Ronny Pinkau, the label releases singles and LPs on vinyl and represents both local Augsburg bands and international artists. In recent years, it has also become known for its handcrafted approach, including cover design and promotion. To celebrate 10 years of Kleine Untergrund Schallplatten, bands and artists from the label, as well as musician friends, were asked to cover their favorite songs released on KUS. The resulting compilation was named Stadtbibliothek (City Library), because all the musicians immersed themselves in KUS song-library, borrowed their favourite songs, and created truly original works with their interpretations. Just like in a public library, where you learn about a particular topic, study it intensively, and then write your own paper about it. Among the band involved there are many TRISTE© favourites, such as: Jetstream Pony, Love,Burns, The BV’s, Zimt, The New Mourning, The Simple Present and Eccentric BlaBla. “As a small label built on community and DIY principles, we believe that a compilation like this, which celebrates togetherness and cooperation, is the best way to mark our 10-year anniversary” says Ronny Pinkau, and today TRISTE© wants to be (a small) part of this well deserved celebration.

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