Brought up on the sounds of nearby Manchester – think New Order and The Smiths et al – Preston’s duo White Flowers, made up of Katie Drew and Joey Cobb, on 15th January 2020, the duo released their debut double A-side single Night Drive / Portra on Tough Love Records, followed on 8th May by Day By Day / Katy Song (the latter a wonderful Red House Painters’ cover), both co-produced by Doves’ guitarist, Jez Williams.
Following the release of the two 12″s in 2020, White Flowers returned with the Within A Dream EP, a four song collection, released on 15th January 2021. this time co-produced with Ali Chant (PJ Harvey, Perfume Genius, Portishead).
All their videos and records to date, and the artwork for the singles are created entirely by the band, an example of their intentions to create a defined White Flowers universe distinctly their own.
Their (long delayed) debut album, Day By Day will be out next week on Tough Love Records.

Would-Be-Goods, the band fronted by singer Jessica Griffin, owes its name to the 1901 novel The Wouldbegoods, by children’s author E. Nesbit.
On the first album, The Camera Loves Me, released in 1988, on the legendary él label, Jessica was backed by members of The Monochrome Set. In 1993 she worked with the Monochrome Set on a second album, Mondo, produced by Monochrome Set singer Bid and released on the Japanese label Polystar and then on Cherry Red in England. Peter Momtchiloff, formerly of Talulah Gosh, Heavenly, and Marine Research joined the band in 1999 and two EPs, Emmanuelle Béart and Sugar Mummy, were released in 2001 and 2002 followed by a new album, Brief Lives, released on Matinée Recordings and Fortuna Pop!. 
The band recorded a fourth album, The Morning After, in 2004 and a fifth, Eventyr, was released in November 2008. There were rumors that band began working on a sixth album in 2019, but it was only in October 2020 that Jessica Griffin began a new project: writing a song a day, with a new title provided every evening by her partner and bandmate Peter Momtchiloff. All the songs were written and performed by Jessica. Fifteen of the songs were released on Bandcamp (as three five-song EPs) in March 2021.

Over three decades as the unassuming but pivotal figure behind some of Scotland’s most iconic pop, Jim McCulloch delivers his debut solo album. When I Mean What I Say will be released on Violette Records on 21 May 2021. Lush and textured, delicate and intriguing, it is immersed in the melodic tapestries of Laurel Canyon but rooted in Jim’s life in his hometown of Glasgow.
Bursting onto the influential mid-80s Scottish scene with the BMX Bandits, making his mark with The Soup Dragons and then with Superstar, Jim’s albums as Green Peppers identified a songwriter committed to the detailed sculpting of melody and expression. His craft and presence, both as a composer and performer, are felt on his contributions to the critically lauded collaborations between Isobel Campbell and Mark Lanegan. And in summer 2020 the second Snowgoose album, his psyche-folk project with Anna Sheard, was met with considerable acclaim.

The musical project for Italy born, London-based, multidisciplinary artist Francesca Brierley, heka has been exploring the indie music world for quite a few years now.
She debuted with a series of double-singles releases in late 2017 , then released her debut ep other drugs via Juicy Records in 2019, and delivered the standalone single “redwoods (a few interesting facts about sequoias)” .
Francesca/heka is the latest signing to a new label based in the North West of England, Balloon Machine Records, founded by Paddy Kinsella and Philip Moss in 2020. To date, the label has released the music of Bristol based herbal tea (the project of Helena Eve Walker) and London artist Laura Fell.
Heka forthcoming EP, the first for Balloon Machine Records, will be titled (a) and will contain the lead single (a) wall, which was released in March featuring Jemima Coulter’s trumpets , and the new song (a) dab.

“Caring About Something Utterly Useless” is FLeUR second album, out in February on Bosco Rec. The music of the experimental duo, formed by the Turin-based Enrico Dutto and Francesco Lurgo – the latter moved to Milan long ago – focuses on the dialogue between electronic programming and the human warmth of the hands playing guitars and keyboards, which blend together to the point where the two components become symbiotic and their respective edges merge, so that the digital sounds turn into breaths and the electric walls raised by the strings become synthetic roars. The seven songs on the record become a coherent whole thanks to the production of Emilio Pozzolini, member of port-royal (small, great heroes of Italian dreamy electronics).