(Make Me A) TRISTE© Mixtape Episode 181: Capitol

Capitol

Capitol is a Hamilton, Ontario quintet made up of brothers, RJ and Josh Kemp, Matt and Wes Lintott, and Chris McLaughlin. Over seven years since their debut, they have released one full-length album, Dream Noise, out in 2019 via Meritorio Records, a four-song E.P, All The Rest Of My Heads (2021), an instrumental film score (Light Between Us, 2023) and several singles. Their next effort is their sophomore album, Sounds Like a Place, out November 8th through Meritorio Records. This eleven-song record has been a long time coming, with the initial  recording at Toronto’s Union Sound Company back in the summer of 2022.  Sounds Like a Place bears a mix of the industrial, electric hum of Capitol’s hometown of Hamilton and the shoegazey dream-pop that they’ve been leaning into since their debut single, 2017’s English Girls. This time  heavily inspired by alternative indie artists of the 90s/00s and still  tinged with a dash of 80s New Wave, the album weaves in and out of genre  and decade. Capitol enjoy films, local beer, and making each other cry of laughter with a single glance.

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LOWMOON – Cathedrals (single and video premiere)

LOWMOON is the lofi indie bedroom pop project of Yorkshire based musician/producer Mikey Wilson. Channeling post-punk, dreampop, new wave and shoegaze references LOWMOON exists within its own unique sound. Blending jangly guitars and synths with vintage drum machines and reverb drenched vocals. Embracing a DIY approach Mikey writes, records and mixes the music. His first full lenght album, Monochrome, was out in May this year via Safe Suburban Home, and reminds the dark sound of the 80s, magnificently blended with jangly and bright guitars: eight songs with original and great melodies, drum machine and hazy vocals. LOWMOON’s videos are aptly set to footage from 80s blockbuster movies (The Breakfast Club, Bright Lights, Big City). Cathedrals is the new single to be released tomorrow, November 22nd, through Safe Suburban Home and you can listen to it and watch its video on premiere here!.

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(Make Me A) TRISTE© Mixtape Episode 180: Sassyhiya

Sassyhiya

Sassyhiya are real-life as well as musical partners Kathy Wright and Helen Skinner. Shortly after meeting at a Rollerderby game (where Kathy was skating for the amazingly named Ultraviolent Femmes), the couple had their first date at an Austra show in 2011 and have been bonded in music ever since. A mixture of Television and The Sundays, Sassyhiya are the sweet spot between post-punk and indie pop. They know their way around a melody but still keep it wonky. Their influences range from the Breeders and Broadcast to The Go Betweens and Dolly Parton. After Helen finished playing bass in Boys Forever and Basic Plumbing (much missed Veronica Falls musician Patrick Doyle’s final projects), the couple joined with friends Bart McDonagh and Mark Amura to create the cult South London LGBTQ+ band Barry. As Sassyhiya, they released an EP in January 2022, Gum demos, which was written, played, recorded, and mixed themselves at home in Peckham over lockdown. A second EP. Live at Paper Dress Vintage, followed in November 2022, showcasing the band’s new live line up featuring Pablo Paganotto (of Punching Swans) on drums and Neiloy Mookherjee on guitar. They have recorded a live session for Resonance FM and were featured on an episode of cult YouTube music programme Cutscene TV. They have also been included on compilations for Loud Women and Related Records. They have shared bills with the likes of Fat White Family’s Brian Destiny, Big Joanie, Mr Ben and the Bens, Cable Ties, Fightmilk, Breakup Haircut, Lande Hekt and Snoozers. Their debut album, Take You Somewhere is out now via Skep Wax.

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Francesca Bono – Crumpled Canvas

Esordio è una definizione piuttosto anomala riferita all’opera prima firmata in solitaria da Francesca Bono. Lo è perché l’autrice di stanza a Bologna vanta un’esperienza ventennale in campo musicale collezionando collaborazioni importanti – l’ultima in duo con Vittoria Burattini dei Massimo Volume nell’ottimo Suono in un tempo trasfigurato – e militanza in diverse compagini quali gli Ofeliadorme di cui è fondatrice. Un bagaglio che traspare nitido dalle otto tracce dell’album, rivelato da una scrittura matura densa di rimandi perfettamente inglobati nella propria visione artistica.

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Lone Striker – Dunno (single)

Tom Brown is a indie DIY scene veteran who released a number of “fuzzy, jangly and melodic” records with his bands Rural France (on Meritorio Records) and Teenage Tom Petties (on Safe Suburban Home and Repeating Cloud). Let’s get to know his new project, Lone Striker. Captured at home using a selection of bedroom instruments and samples, off-kilter soul drum loops and found sounds, Tom has spent five years making a record that takes a lifelong love of warped Americana (think: Sparklehorse, Mercury Rev, Silver Jews) and puts it through a very British lens. A patchwork of sounds and stories, beamed from a broken transistor radio. The songs themselves are immaculately crafted. With nods to the melodies, structures and arrangements of the Brill Building golden years, Lone Striker’s scruffy, warm heart has melancholy and melody pumping through it. While Lone Striker has been a long and mostly solitary pursuit, there was room for a few guests. Most notably, Billy Fuller of BEAK>, who lends his beautiful bass lines to the weary first single, Dunno (and to Cursed Like Roy).

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