(Make Me A) TRISTE© Mixtape Episode 187: WUT

Wut

Vancouver BC’s trio WUT (Tracey Vath: bass, vocals, and additional guitar; Kaity McWhinney: guitar and vocals; Lauren Smith: drums and vocals) released the debut album, NOW, in 2020, accompanied by 10 DIY music videos. Mingling with the Thorns, their sophomore full-length album, came out August 23rd on HHBTM Records. ‘Mingling with the Thorns’ was created during two years of intermittent quarantines which caused Kaity McWhinney, Tracey Vath and Lauren Smith to write songs independently, and share their ideas through countless emails, dropbox folders, and google drives. This resulted in a collection of carefully crafted pop songs that reflect the bands mutual love for c86 jangle pop and early Flying Nun Records bands. McWhinney’s longtime friend and musical collaborator, Riley (Artsick, / Burnt Palms) joined WUT on the track “Your Feelings”, which pushes the band into the realms of garage rock with her raw and frenetic lead guitar. On a surface level, Mingling with the Thorns may seem fun and carefree. However, a dig deeper into the album’s lyrical content draws up themes that grapple with patriarchy and late stage capitalism; specifically the struggle to find personal autonomy within these social systems.

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(Make Me A) TRISTE© Mixtape Episode 186: Alpaca Sports

Alpaca Sports (@Jonas Borjesson)

Alpaca Sports is a Swedish indie pop band founded in Gothenburg (SE) in 2011 by Andreas Jonsson, Amanda Åkerman and Carl Jirestedt. Their music has a cheerful yet bittersweet vibe, with catchy melodies and romantic lyrics. Influenced by twee pop and C86, they’ve released a couple of EPs and two albums: Sealed with a Kiss in 2014, through Dufflecoat Records, and From Paris With Love in 2018, on Spanish label Elefant Records, and have gradually gained a lot of fans around the world. Portland, Oregon (US) based multi-instrumentalist Lisle Mitnik (Fireflies, Tiny Fireflies, Very Truly Yours) joined Alpaca Sports in 2014 for the release of the mini album When You Need Me The Most (their first release with the Spanish record label Elefant Records,) and has since then been writing the songs together with Andreas. The group has toured worldwide, including shows in New York, London, Paris, and Madrid, been on two tours of Japan, and played several popfests around the world. Now they’re back with their third album, Another Day, once again produced by Ian Catt (Saint Etienne, The Field Mice, Trembling Blue Stars) and released by Elefant. The album’s ten songs celebrate the hazy spaces and golden hours when the day turns into night, when summer becomes fall, and all the other in-betweens in our lives that are full of fears, doubts, hopes and dreams.

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Le firme di TRISTE©: il 2024 di Francesco Giordani

Mentre tutti ci interroghiamo su quale possa essere oggigiorno il senso di compilare una classifica delle migliori pubblicazioni musicali dell’anno -lo avete notato? Mai come oggi abbiamo la sensazione di ascoltare tantissima musica, mai come oggi abbiamo la sensazione di non riuscire ad ascoltare tutta la musica che vorremmo…- non avendo in tasca risposte particolarmente brillanti alla pur legittima domanda, mi limito a segnalare gli album che, fra le “novità”, più ho ascoltato con sincera emozione nel corso dell’ultimo anno e ai quali si legherà la gran parte dei miei ricordi datati 2024.

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Le firme di TRISTE©: Francesco Amoroso racconta il (suo) 2024

In this long (and frankly, somewhat pointless) list of the 100 albums that shaped my musical 2024, you’ll find albums that I truly appreciated, albums I think are important, albums I loved, and those that moved me to tears.
I don’t believe this list holds any critical value, and I’m sure there are many more albums that could have made the cut (I listened to nearly a thousand records in 2024).
While I remain convinced that rankings are ultimately a waste of time in the realm of art, I still present mine every year, hoping that someone might discover (or rediscover, or re-evaluate) an album through it.
I apologize to all English speakers for my broken English, but as for the content of these writings, it comes straight from the heart (even if I fear this isn’t quite justification enough on its own).

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Bananagun – Why Is the Colour of the Sky?

Il notevole videoclip di Mind’s A Lie dei londinesi High Vis pare a tratti raccontare il sequel  delle imprese del giovanissimo protagonista di un altro videoclip, ovvero This Can’t Go On di Bill Ryder-Jones, che tanto avevamo amato nei primi mesi di quest’anno. Nella staffetta tra il primo e il secondo tempo del racconto, esaurita la spinta idealistica della prima giovinezza, l’ex adolescente ormai adulto continua la sua folle corsa a testa bassa, che appare improvvisamente come priva di una meta, più simile allo sbattere d’ali di un uccello in gabbia o allo smanacciare di un pugile che prende a pugni la sua ombra, tenuto in vita solo dal vibrare della propria rabbia.

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