Sono molto affezionata a Ethel Cain. Ancora frastornata dal lockdown, nel 2022, passeggiavo nel verde della mia provincia, allora così odiata e che ora, domiciliata a Milano, mi manca terribilmente. Ascoltavo Inbred, e l’avevo appena scoperto. A gennaio 2025 è uscito il nuovo album di Ethel Cain, Perverts, e mi trovo di nuovo a camminare ascoltando Hayden Silas Anhedönia. Sono nove tracce, per ottantanove minuti totali di suoni trascinati, parole distorte, spesso rumori, sovente anche striduli. La prima traccia, Perverts, dura 12 minuti ed è suono puro.
Kristin Daelyn is a folk artist and fingerstyle guitarist from Philadelphia. Her debut album, Gardens & Plantings, was out in 2022. With Beyond the Break, her second full-length (out next February 28, via Orindal Records), her soaring, spectral voice sits higher in the mix, and her lyrics take center stage, incorporating imagery based on her love of poetry and a creative practice that draws from philosophical texts and exploration of the natural world. The songs themselves, Daelyn explains, are often designed to create inhabitable landscapes for the listener, an approach noticeable in the open-ended language of “Longing.” With this newly visceral approach, Daelyn brings to focus her evolution as a guitarist. Focused as much on melody as the texture of her playing, she favors chords that leave suggestive space between each note, dissonance that never quite resolves and adds a tender shadow to her major-key melodies. In the instrumental title track, she plays in collaboration with Dan Knishkowy (Adeline Hotel, Jackie West) on guitar and Danny Black (Good Old War, Gregory Alan Isakov) on pedal steel, resulting in a mood that blends the open-road psychedelia of William Tyler with the dreamy travelogues of Julie Byrne.
Dear Shelter is an acoustic duo from Aprilia. Just a few days ago, they released their first album, It’s Okay To Cry A Little, on Bandcamp, recorded in December at the VDSS Studio of Filippo Passamonti in Ceprano. The album features nine of the many songs sketched out over the past year and a half, recorded with a minimalist approach, open to the acceptance of unexpected moments and imperfections dictated by a live recording. The band was formed after years of musical inactivity for both members. Marco (vocals and guitar) previously sang in Oktopus Provance, a stoner band characterized by a strong jazz-influenced drumming style; Tiziano (guitar) has played in various indie formations, typically leaning towards powerpop. The idea to play together came from their shared passion for American folk music from the ’60s and its subsequent reinterpretations. Rather than being preceded by singles, the album will be available online, accompanied by a full-length music video that runs for the entire duration of the tracklist. The video will be avialable from Friday, Febraury 7th, but you can wach it here on exclusive premiere!