The Cords are a Scottish indie pop duo made up of sisters Eva and Grace Tedeschi, whose music distils youthful urgency into sharp, melodic songs driven by guitar and drums. Raised on a steady diet of indie records, they gravitated early toward the sounds of classic jangle-pop and underground pop, forging a partnership built on instinct, simplicity and momentum. The pair quickly built a reputation through a handful of ultra-limited early releases that disappeared almost as soon as they appeared. At the same time, they earned their stripes on stage, performing alongside cornerstone names of Scottish pop history as well as a new wave of like-minded indie bands, bridging generations with an ease that feels entirely natural. Their debut album, The Cords, marks a major step forward. Released by Skep Wax in the UK and Europe (with Slumberland handling the US), the record captures the immediacy of their live sound while revealing a growing emotional range. Short, punchy songs sit alongside more reflective moments, all held together by Eva’s bright, winding guitar lines and vocals and Grace’s propulsive, characterful drumming. The production stays true to their stripped-back approach, letting energy and melody take centre stage. While listeners familiar with indie pop’s past may catch hints of earlier movements and scenes, The Cords is firmly rooted in the present. It’s the sound of two young musicians playing loudly, honestly and without compromise, finding freedom in analogue instruments and direct expression. In doing so, The Cords reaffirm the enduring power of pop music that is handmade, heartfelt and shared on its own terms.

Ben Crum — the mind behind Great Lakes — cut his teeth in the swirling psych-pop of Athens, Georgia in the mid-’90s. Co-founded with Dan Donahue and Jamey Huggins, Great Lakes emerged amid Elephant Six noise and kaleidoscopic musical offer. But Crum’s ambition wasn’t just to make pretty fuzzy pop — he wanted to channel longing, memory, and the ache of rootedness in motion. Over the years, he traded lo-fi 8-track experiments for smoky, pedal-steel-drenched Americana; his voice, once airy, gained a weight that felt like confession. For Crum, each album is a chapter in a quietly epic journey: 2000’s Great Lakes is an earnest debut, scribbled in a home studio, brimming with youthful hope. By 2002’s The Distance Between, he’d sharpened his sense of space and melancholy. Diamond Times (2006) sees him embracing more control and turning inward, while Ways of Escape (2010) marks a turning point — this is Crum alone at the wheel, writing deeply personal folk-rock with support from a loyal band of travelers. Wild Vision (2016) is probably his creative peak: country-noir textures, vintage harmonies, and singing that runs like a slow river. In Dreaming Too Close to the Edge (2018), Crum confronts fear, regret, and the illusion of second chances, blending raw indie rock with the ghosts of classic songwriters. Then came Contenders (2022), a testament to tireless persistence and quiet wisdom. His latest, Don’t Swim Too Close, released via HHBTM Records on November 7th 2025, drifts in bruised but hopeful — a meditation on mental health, the pull of risk, and the poetic gravity of home.

“Kleine Untergrund Schallplatten” (Little Underground Records) is a German indie label from Augsburg, specializing in indie pop releases. Founded in 2015 by Ronny Pinkau, the label releases singles and LPs on vinyl and represents both local Augsburg bands and international artists. In recent years, it has also become known for its handcrafted approach, including cover design and promotion. To celebrate 10 years of Kleine Untergrund Schallplatten, bands and artists from the label, as well as musician friends, were asked to cover their favorite songs released on KUS. The resulting compilation was named Stadtbibliothek (City Library), because all the musicians immersed themselves in KUS song-library, borrowed their favourite songs, and created truly original works with their interpretations. Just like in a public library, where you learn about a particular topic, study it intensively, and then write your own paper about it. Among the band involved there are many TRISTE© favourites, such as: Jetstream Pony, Love,Burns, The BV’s, Zimt, The New Mourning, The Simple Present and Eccentric BlaBla. “As a small label built on community and DIY principles, we believe that a compilation like this, which celebrates togetherness and cooperation, is the best way to mark our 10-year anniversary” says Ronny Pinkau, and today TRISTE© wants to be (a small) part of this well deserved celebration.