(Make Me A) TRISTE© Mixtape Episode 163: Tendertwin

Tendertwin (©Zeynep Ozkanca)

Tendertwin is the project of Istanbul-born, London-based Bilge Nur Yilmaz. Bilge Nur Yilmaz’s distinctive voice subtly soaks up Turkey’s rich musical heritage from the lapping tides of the Black Sea and Mediterranean and filters it through drifting time spent in Philadelphia, Oxford, and London, — a familiar folk sound with an industrial glitch where landscapes are entangled in ambient sounds, wrong-footing melodies and unpredictable arrangements. 
Nurtured transatlantic, Tendertwin is a forager for half-lived stories. Inspired by the likes of Tim Buckley, Joan Armatrading, Meredith Monk, Mitski, and Debussy — Tendertwin creates celestial folk mixed with ambient noise and alt-rock tones. Her debut EP Ship Argo, out on July 5th, takes inspiration from a variety of disciplines involving the works of William Blake, Michel Foucault, Jean Cocteau, Euripides (Médea), Faith Wilding, and Ingmar Bergman. 
Ship Argo is a collection of songs that reveal Tendertwin’s introspective musings on themes such as water dementia, unrequited love, and the transient nature of existence and belonging. Each track is imbued with a sense of wanderlust and a longing for connection, mirroring Yilmaz’s own nomadic journey through life.    

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Cardinals – Cardinals

Di Cork ho un ricordo abbastanza vago, che si colloca pressapoco fra il 2002 e l’anno seguente, non saprei dire con precisione. Ero stato all’epoca sorteggiato, assieme ad altri studenti, come rappresentante del mio istituto superiore (indirizzo classico) in uno di quei viaggi-scambio fra scuole di diversi paesi europei, finalizzati a gemellarne gli scolari. Del viaggio (il primo in aereo peraltro), degli istituti visitati, della città stessa, mi restano come dicevo poche e assai confuse memorie, eccezion fatta, ovviamente, per gli album acquistati in uno dei fornitissimi negozi del centro, che invece ricordo a menadito, anche perché destinati a lasciare solchi profondi nei miei padiglioni auricolari -nell’ordine: Is This It degli Strokes (che ascoltai ossessivamente per tutti i cinque giorni della permanenza), la raccolta Going For Gold degli Shed Seven, Thirteen Tales From Urban Bohemia dei Dandy Wharols e Bitches Brew di Miles Davis.

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Tony Jay – The Darkest Corner/Ancient Slice

Tony Jay & Penny (©Diem Vio)

San Francisco’s Tony Jay, the solo  project of lo-fi and Fog Pop legend Michael Ramos, former drummer of April Magazine and current member of Flowertown and Sad Eyed Beatniks, a year on from Perfect Worlds, his first record fro Slumberland, gives us two new songs, ahead of the release of Knife Is But A Dream, his new album, which will be out August 16th, 2024 on Paisley Shirt Records, Slumberland Records, and Galaxy Train. Composed and recorded entirely within the confines of his home, the album whispers of quiet companionship as he shepherds a beloved feline through a time of delicate health. This collection delves deeper into the realms of ambient noise and collage, territories previously hinted at in his earlier works. The songs, themselves, retain a skeletal elegance, a stark contrast to the swirling chaos that surrounds them. The final product evokes the image of a charcoal sketch, rendered with swift strokes and unwavering confidence, a fleeting moment of beauty captured for all time.

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Phantom Handshakes – Dusk Enchanted (single and video premiere)

Phantom Handshakes is a lo-fi, dream pop collaboration between Federica Tassano and Matt Sklar, based in Brooklyn, NY. Their firs output was a mini album in 2020, Be Estranged, recorded at home during April and May of 2020 (mastered by Carl Saff at Saff Mastering in Chicago). The debut full-length, No More Summer Songs, was out in 2021on Z Tapes and the sophomore A Passport to Remain, was out in 2022. Good Intentions, their most recent song, represents the first single from their upcoming LP, Sirens At Golden Hour, which will be out on August 21st. Today we have the opportunity and honour to share with you an exclusive premiere of the second single, Dusk Enchanted, which will be out everywhere on July 16th.

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(Make Me A) TRISTE© Mixtape Episode 162: O.

O.

Tash Keary started her journey learning the drums as a 9-year-old. The only musician in her family, it felt more a hobby than a calling until she joined grassroots music organisation Tomorrow’s Warriors in 2018, becoming part of their Female Frontline band. Playing in London’s jazz scene, she crossed paths with saxophonist Joe Henwood, building a reputation in the capital after a decade with afro-jazz outfit Nubiyan Twist. Meeting after being hired for the same gig in 2019, they started to improvise together. Last year’s EP Slice, one of the most exciting, experimental, and intense releases of 2023, was their debut record. Honing their fearless sound through a residency at Brixton’s iconic venue The Windmill, as well as on support slots across the UK and Europe with fellow heavyweights black midi and Gilla Band, O. – the London-based duo – have now distilled their unique live energy into their debut album, WeirdOs. Featuring production from Dan Carey, WeirdOs is Tash and Joe at their most raucous and free. Across 10 tracks of high-octane instrumentals recorded live to tape, the duo encompass everything from cathartic dancefloor drops, to junglist breakbeats, intricate jazz lines, and sludgy, menacing doom metal.

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