Yea-Ming Chen is a San Francisco-based singer-songwriter who delivers a pure and simple indie country sound with heartfelt and sincere meaning. Her low, dusky tones recall ‘60s German singer Nico, although Chen was most inspired as a young adult by pop punk indie bands like Mr. T. Experience, The Queers and Dressy Bessy. “Bands like that,” she says, “made me realize the power of a simple song.” At the same time, the drama-filled pieces on her favourite Fleetwood Mac album, Rumours, taught her that despite life being full of difficult moments, “beautiful songs are created because of its complexity. It makes the hard stuff worth it.” A songwriter for 15 years, Chen has learned from experience that a broken heart is the best for inspiration. Piano was Chen’s first instrument, but as a teenager, she picked up guitar and more recently, the drums. A classically-trained pianist from age seven, she started formal studies in music at UC Berkley, but left the program after finding it to be too academic: “fun and challenging but mostly excruciatingly boring, difficult and useless,” she says. “I craved to be more creative and expressive, which is why I picked up the guitar. I couldn’t be “leftbrained” about it because I didn’t know how to use it. It really opened up me to song writing.” Solo or backed by a band, Chen can be heard along the West Coast as Yea-Ming and The Rumours. The first album from Yea-Ming and The Rumours, So, Bird... was out in March 2022 and a new album, I Can’t Have It All will be out on Dandy Boy Records on May 24th.
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Indie Sunset in Rome 