Bombay Bicycle Club @Alcatraz – Milano, 16/11/2023

Bombay Bicycle Club @Alcatraz, Milano 18.11.2023 (©Carlotta Corsi)

Capita, a volte, che una città ti possa assorbire i sentimenti; tutte le faccende veloci e i problemi delle persone che urlano in metro ti rimangono addosso e nemmeno ti accorgi di confonderti tra i palazzi di cemento. 
L’Alcatraz, il 16 novembre, era addobbato come per una festa di compleanno, MY BIG DAY era la scritta che campeggiava sul palco, composta da palloncini dorati svolazzanti.
Gli inglesi Bombay Bicycle Club sono una delle band che i ragazzi della mia generazione ascoltavano al liceo e l’atmosfera che si respira rende proprio l’idea di un ballo di fine anno.

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(Make Me A) TRISTE© Mixtape Episode 135: Dancer

Dancer

Based out of Glasgow, although largely not originally from there, Dancer is the latest project from musicians who perform in the likes of Robert Sotelo, Current Affairs, Order Of The Toad and Nightshift: Gemma Fleet (Voice/Words), Chris Taylor (Guitar/Keytar), Andrew Doig (Bass) and Gavin Murdoch (Drums). The band recorded the tracks that would become their self-titled debut mini-album, released via GoldMold in February 2023 in Green Door studio last winter. Dancer’s second EP of the year was out in October, once again via local label GoldMold on Cassette and digital download, with artwork by Scott Jason Smith. Five new songs recorded again at Green Door Studio in Glasgow, live to tape with Ronan Fay, the group has heightened some still burgeoning characteristics this time. The harsh songs are harsher, the considered warmth of slower efforts chime more melodically. This latter approach can be found most diligently on lead track ‘Love’ where the elasticity of the superb guitar arrangement weaves euphorically through a soaring love song narrative. Never has the attempt to marry a Life Without Buildings influence with the band’s own natural persona felt so worthwhile.

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(Make Me A) TRISTE© Mixtape Episode 134: Junkboy

Junkboy

Taking their unusual band name from a pornographic Japanese anime, brothers and multi-instrumentalists Rich Hanscomb and Mik Hanscomb first began working as Junkboy in 1999. Originally based in the sprawling seaside town of Southend-on-Sea, Essex, the duo began recording for the independent label Enraptured Records the same year with the single Ifyoulivedhereyou’dbehomebynow and the EP Kraut_Hop Ya Don’t Stop! They switched to the Moshi Moshi Music imprint for 2002’s full-length The Dynamics Of Modern Communication. Drifting by on a bed of acoustic guitars, jazzy saxophone, layered electronics and discreet vocals, the album’s mixture of gentle pastoral folk pop and post-rock structures certainly sounded pretty but ultimately proved rather inconsequential. After a hiatus in band activities, the Hanscombs revived Junkboy in 2005 and returned to the Enraptured stable to record Lost Parade. After relocating to Brighton, East Sussex, the brothers collaborated with a number of guest musicians on their more post rock oriented third album, Three which was out in 2008. In 2010 the pastoral and delicate Koyo was out, but it took fie years to have Sovereign Sky delivered. Trains,Trees, Topophilia came out in 2019 and the new album by the Hanscomb borthers, a companion piece of sorts to its predecessor is Littoral States out now on Wayside & Woodland.

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(Make Me A) TRISTE© Mixtape Episode 133: Red Pants

Red Pants

Red Pants are the duo Jason Lambeth and Elsa Nekola from Madison, Wisconsin. The two have been making music together for the last five years, with Elsa mostly on drums and Jason on mostly everything else. After a couple of singles and three Ep in 2018, the duo released the first album, Distortion And Snow, on Painted Blonde, in 2019, and, three years later, a second album, When We Were Dancing, on the same label in collaboration with the superb Paisley Shirt Records. Their latest album, Not Quite There Yet, out now via Meritorio Records, was recorded by Jason & Elsa at The Foundry & The Green Monster, from February 2022 to July 2023, and masted by Álvaro Lissón. Nearly all of the songs on the new album are sung by Jason, but Elsa branches out to singing lead vocals and adds other instrumentation with Jason’s noise pop arrangements. For fans of 90’s Yo La Tengo or Sonic Youth, early Blonde Redhead, with brushes of Trish Keenan melodies.

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