(Make Me A) TRISTE© Mixtape Episode 246: Frank Rabeyrolles

Frank Rabeyrolles

Frank Rabeyrolles is a discreet and unclassifiable figure on the French music scene, who first gained attention in 2004 with Life Behind the Window, the debut album from his project Double U. His dreamy, hybrid music, oscillating between pop, electronic, and songwriting, astonishes and seduces. He has released a solid succession of albums first under Double U and then Franklin. His creative approach over the years, and now decades, could be seen as a yearning for artistic ritual driven by passion, but also as an existential necessity. At the end of 2011, Frank Rabeyrolles decided to release #8, his first album under his real name. Between Experimental Pop, Lo-Fi Folk, and Ambient, Frank has never wanted or needed to choose. The follow-up comes in 2021 with A Ghost by the Sea, a record that asserts itself as ambient, also endowed with a melodic and contemplative obsession that has been a trademark since his debut. In 2022 and 2023, he composed Boat Songs and Minor Blue, bittersweet, chiaroscuro ballads built around clear and concise guitars, accompanied by Romain Delorme and Sébastien Pasquet in a Guitar/Bass/Drums Trio. In early 2024, Frank Rabeyrolles returned to solitary work in the home studio, cultivating a gentle schizophrenia between tenderness, sonic roundness, echoes, spleen, and hope. The album In Conversations was released in February 2025 on Araki Records. After two albums recorded in a trio/quartet format, this new album marks a return to a certain pop bricolage and organic work created around layers of guitars. His new stunning album, Slow, was released in February on the French label Too Good To Be True.

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(Make Me A) TRISTE© Mixtape Episode 245: European Sun

European Sun

European Sun is a Bristol-based indie pop project led by songwriter Steve Miles, best known for his work with The Short Stories. He also writes an occasional guest column for PennyBlack Music. The band brings together Miles with cult indie figures Amelia Fletcher and Rob Pursey, known for their work in groups such as Talulah Gosh, Heavenly and The Catenary Wires and includes drummer Ian Button. Formed out of a long-distance but creatively natural collaboration, European Sun blends Miles’ songwriting with Fletcher and Pursey’s production, arrangements, and multi-instrumental performances. Their sound grows out of the quieter, more reflective direction Miles pursued after stepping back from the fuller-band ambitions of The Short Stories. Their debut single, The Future’s Female sets the tone for the project: sharp, witty, and politically engaged. Through a series of personal and social vignettes, the song critiques toxic masculinity, nationalism, and intolerance, while ultimately offering a hopeful message that the future lies in more compassionate, progressive values. European Sun’s music balances seriousness with humor, aiming to respond thoughtfully to the cultural and political climate of the post-Brexit era. The eponymous debut album (out in 2020 on Wiaiwya) continues this approach, combining melodic indie pop with socially conscious storytelling. Miles’ second album under the European Sun name, When Britain Was Great (out now via Skep Wax Records and featuring Elin Miles as additional vocals) expands this vision, through songs that combine political critique, personal vulnerability and playful, genre-spanning indie pop, delivering a pointed yet melodic rejection of “masculine energy” culture, of nostalgia for an imagined past where men were men, and racism was de rigeur, of fetishisation of a World War by patriots who are too pumped up to realise the war was a fight against Nazism.
Because Steve Miles is not only a musician, but also a keen observer and an elegant storyteller and, certainly, an original and distinctive person, his Mixtape is composed of many words and a single song!

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(Make Me A) TRISTE© Mixtape Episode 244: Fran Carlyon

Fran Carlyon

Fran Carlyon has been writing acoustic based songs in the folk tradition for a number of years now. He records them in threadbare fashion in as few takes as possible, incorporating synths and electronics to add light and shade. In his view, capturing the initial spark of inspiration is key, as it conveys the message and meaning in the purest possible way.
After a batch of digital singles, his debut mini album, Home Truths, was released 6th February via the wonderful Manchester/Brighton based label YYZ Records. Beyond his songs, Fran is a kind of musical soul brother to us, sharing our values and taste in true independent music and being very active in the underground independent scene: he writes for HeavyMetalKids.uk and DJs at Ship Full Of Bombs, Southend’s alternative radio station.

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(Make Me A) TRISTE© Mixtape Episode 243: The High Span

The High Span (©Wolf Howard)

The High Span is a UK post-pop band based in Medway, Kent. Formed by songwriter Kevin Younger in late 2019, the band’s sound is possibly best described as a pop-inflected mix of sprightly guitar jangle and suburban angst. Releasing their first EP, Quirky Miniboss Squad, in 2020 on the Spinout Nuggets label, they tapped into a vein of English bloodiness and absurdity which was followed up in their first, self titled, album in 2023. The band comprises Kevin Younger (guitar, vocal, keys), Mark Aitken (bass), Canadian expat Jimmy Moore (drums), and Sarah Post (vocals). A history of the players’ previous bands includes Subway Sect, The Speed of Sound, Ye Ascoyne d’Ascoynes, Baby Birkin, London Dirthole Company, and Canadian grunge heroes Rusty among many others. Their latest album, Blithering is out now on Spinout Nuggets.

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(Make Me A) TRISTE© Mixtape Episode 242: Sunny Intervals

Sunny Intervals

Sunny Intervals combines indiepop, folk and light electronica, as put together in London by Andy, formerly of the band Pocketbooks. Active from 2012 to 2016, when he released three delicious albums, Rooftops (2012), Step Into Spring (2014) and Sunrise (2016), Sunny Intervals returned, after almost ten years, with Swept Away. It is “a late night whisper,” written over the course of a decade, and recorded as lightly and naturally as possible at home, mostly in Andy’s kitchen at night while the neighbourhood was sleeping, with acoustic guitars, light percussion, keyboards and soft synthesisers. A soft mix of indiepop, folk and light electronica, Swept Away was released in April 2025, and re-released as a deluxe Bandcamp version including the original 10-track album and the five-track Almost Imperceptibly EP (and a sort of disco remix of Electromagnetic) in November 2025.

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