Caveleon project was born in January 2018, bringing together multi-instrumentalist Leo Einaudi, singer-songwriter Giulia Vallisari, electronic musician Federico Cerati and drummer Agostino Ghetti. The band immediately found an affinity, which, combined with their talent, produced original and evocative sounds, caught somewhere between folk, indie and rock atmospheres immersed in electronic sounds. The result of this sonic research takes the listener into a world that is difficult to define, but surprising in its simplicity and refinement. The vocals Leo and Giulia, the first deep and rough, the second angelic and ethereal, acoustic guitar, avant-garde rhythms, piano and keyboards, and arrangements full of suggestion, lead to imagine being in places that we seem to have known, and at the same time are unexplored. In May 2019 the band released their first EP Caveleon with the Futurissima label, which was followed by an Italian tour. The following year the band found themselves working on new songs and on an ambitious and original project: not a simple album for its own sake, but a concept made up of three EPs: each EP deals with a different theme, but connected to the others. Sometimes and Sometimes I’m Still led to Sometimes I’m Still Drowning, their first album, out in October 2021 for Costello’s.

Catchers are an Irish indie band formed in 1993 and led by singer-songwriter Dale Grundle with Alice Lemon (vocals/keyboards). Former band members include Peter Kelly (drums), Ger FitzGerald (bass, until 1995), Craig Carpenter (bass, 1996 onwards) and Jonathan Lord (lead guitar, 1998).
Grundle and Lemon had known each other since their teens in Portstewart, Northern Ireland. Their first release, a 7″ called Cotton Dress, was recorded with Divine Comedy producer Darren Allison on Setanta Records and became Melody Maker’s Single Of The Week.
Mute, the band’s first album, produced by Mike Hedges, was released in 1994 to critical acclaim. Four years later the band released Stooping to Fit, their second album, recorded at the Cocteau Twins studios in London, and displaying strings and brass arrangements by Nick Drake’s collaborator, Robert Kirby.
After the Catchers last gig, on February 1999, the band went on a prolonged hiatus and, in 2006, news of Dale Grundle started working on a new project called The Sleeping Years,
which had four e.p. and a wonderful album, We’re Becoming Islands One By One (on Rocket Girl), out between 2007 and 2009.

In June 2019, Catchers reissued Mute on vinyl through the French record label, Les Disques du 7ème Ciel, and also released a live album and an album of outtakes, We Speak in Flames through TSY Records. That year, Dale and Alice reformed the band to play shows in France to promote the 25th anniversary edition of Mute and, in 2021 Dale and Alice began writing new material with drummer Roger Luxton, releasing Catchers new single Something’s Taking Over Me on 5 November 2021. A new Catchers’ album is due out in 2022.

Aotearoa’s French for Rabbits create music that feels like it has been crafted from the fabric of the New Zealand landscape – all salty waves, isolated coastlines, grains of sands and expansive skies. It is intimate and expansive, welcoming and wary, poetic but piercing. Based on the creative vision of songwriter, producer and pianist Brooke Singer, the project came to life when she started working with guitarist John Fitzgerald in the small coastal township of Waikuku Beach back in 2012. His minimalist but shimmering guitar lines proved to be the backbone of their early work, and over the years the band has blossomed outwards to include the considerable talents of multi-instrumentalists Ben Lemi (Trinity Roots, Dawn Diver) and Penelope Esplin (Grawlixes) alongside drummer Hikurangi Schaverien-Kaa. Together, they have released four records: the wonderful EP Claimed by the Sea in 2012, the debut album Spirits in 2014, The Weight of Melted Snow which was released in 2017 in New Zealand and in 2019 in the rest of the world, and The Overflow which was out in November via AAA records (NZ/AUS), Reckless Yes (UK) and A Modest Proposal (Italy).

Shoestrings is Mario and Rose Suau, a husband and wife duo, from the northern suburbs of Detroit, Michigan. Shoestrings was formed as a true bedroom pop project in the mid-90s when the two were in college. For Mario and Rose, their primary intent for starting a band has always been to write, record, and produce memorable songs with relatable, heartfelt sentiment. The Shoestrings aesthetic is a meticulously-crafted filigree of washy guitars, soft synths, pensive vocals, and thoughtful lyrics.
After releasing their debut album, Wishing On Planes, and appearing on several notable indie compilations, Mario and Rose took a long hiatus to evolve their production skills and to pursue other music projects.
This fall, Shoestrings resurfaced with their long-awaited sophomore album, Expectations. Sonically, the album draws on several genres: indie pop, dream pop, shoegaze, and sophistipop to create their own matured, distinctly sensitive sound. The collection of songs is a delicate and wistful reflection on past events and lessons learned.
The album is released by Shelflife Records (North America), Discos de Kirlian (Europe), and Fastcut Records (Japan) and it’s magnificent!