(Make Me A) TRISTE© Mixtape Episode 142: Black Tail

Black Tail

Black Tail is an indie rock band from Rome and Latina (Italy): Cristiano Pizzuti (Voice, Guitar, Synths), Simone Sicamanna (Guitar), Cristina Marcelli (Bass) and Roberto Bonfanti (Drums). The idea, and the name of the project, came out of a walk in the woods right outside Boston in 2013. A close encounter with a black-tailed deer, and a bunch of songs written while traveling. One of the songs is a demo recorded with a small portable device in Back Bay, dedicated to Elliott Smith, and presented during a short acoustic set on national radio station Radio Rai1. Three records (Springtime, 2015, One Day We Drove Out Of Town, 2017 and You Can Dream It In Reverse, 2020) released for the indie labels Mia Cameretta and Lady Sometimes, filled with indie-americana, jangle textures, and dreamy guitar arpeggios. The soundscape interlaces and changes, from sunny ballads to a shadowy restlessness. The musical vocabulary is influenced by Wilco, Sparklehorse, Teenage Fanclub, Yo La Tengo, Elliott Smith, all mixed up in an eclectic ecosystem made of handmade drawings and indie rock songs, slight folk roots and a rather lo-fi slackerish attitude. A personal narration of secluded worlds and introspective gazes. Wide Awake on Beds of Golden Dreams, which was recorded at VDSS Recording Studio by Filippo Passamonti between Dec 2022 and Sept 2023, is the band’s fourth full length and will be out on February 23rd (MiaCameretta Records).

Continua a leggere

Mol Sullivan – Goose

Non esiste alcuna regola che possa definire quale sia il tempo di lavorazione adeguato per scrivere e registrare un album e la storia della musica è piena zeppa di dischi creati nel volgere di un nulla e di altri frutto di elaborazioni ben più lunghe.
Per Mol Sullivan ci sono voluti ben quindici anni per chiudere e dare alle stampe il suo lavoro d’esordio, un arco temporale decisamente molto esteso scandito in modo profondo da un problema di alcolismo fortunatamente superato.

Continua a leggere

(Make Me A) TRISTE© Mixtape Episode 141: The Fauns

The Fauns

The Fauns were formed in 2007 in Bristol and consists of Alison Garner (vocals), Will Slater (guitar), Michael Savage (bass) and Guy Rhys-Davies (drums). Their their eponymous debut album was released in 2009, followed by the 2013 release of Lights. These two works garnered warm acclaim from both critics and fervent shoegaze-loving fanbase alike – arriving into an atmosphere rekindled by the return of My Bloody Valentine.
Throughout the 2010s, the band toured relentlessly across Europe, sharing the stage with Creation label act The Telescopes for a number of shows. A European support tour with French doomgazers Alcest broadened The Fauns’ reach, and during this period they recorded sessions for BBC Radio 6 Music and XFM, even winning Steve Lamacq’s coveted rebel playlist accolade. The creation of their third album How Lost unfolded gradually over the subsequent years, led by three original members: Michael Savage, Alison Garner, and Guy Rhys Davies. In 2019, accomplished soundtrack composer Will Slater joined the band, catalyzing an intensified period of songwriting. The push and pull between Savage and Slater’s recording styles producing interesting and unique results. This latest album bridges The Fauns’ transformation from their earlier incarnation to their current evolution. The tracks traverse a spectrum of styles, ranging from intricate, guitar-driven sci-fi fantasies to industrial-tinged new wave compositions. The hallmark shoegaze elements are now stretched over gritty pulsating electro beats. 

Continua a leggere

Packs – Melt The Honey

La canadese Madeline Link torna a stretto giro da Crispy Crunchy Nothing (2023) con una nuova raccolta di undici brani, dove ancor più dei suoni – il gruppo vede sempre Dexter Nash alla chitarra, Noah O’Neil al basso e Shane Hooper alla batteria – amplia la tavolozza compositiva, offrendo un lato più immediato del progetto Packs nella scia dei grandi nomi dell’indie-rock al femminile, da Courtney Barnett agli Speedy Ortiz senza dimenticare la Colleen Green degli esordi.

Continua a leggere

The Umbrellas – Fairweather Friend

Da quando qualcuno se n’è appropriato ingiustamente (indegnamente, oserei dire), faccio sempre più fatica a spiegare, a chi non è esperto in materia, in cosa consista l’indiepop (che mi piace scrivere così, tutto attaccato, perché il termine non nasce solo dalla giustapposizione delle due parole, “indie” e “pop”, ma proprio dalla loro unione).
Potrei usare semplicemente l’asciutta e un po’ asettica definizione che si trova su wikipedia, che sostiene che l’indiepop sia “…a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music“, e, tutto sommato, mi avvicinerei abbastanza alla verità. Oppure, da qualche giorno, potrei avere un’alternativa più valida.
A chi volesse capire che cos’è l’indiepop potrei semplicemente suggerire di ascoltare Fairweather Friend, il secondo album di The Umbrellas.

Continua a leggere