(Make Me A) TRISTE© Mixtape Episode 123: The Radio Field

The Radio Field (©Suzie Kerstgens)

Düsseldorf based, The Radio Field was originally the bedroom project of Lars Schmidt: in late 2020, during the second lockdown, Lars (from the band Subterfuge) picked up his guitar out of boredom and within a couple of days a handful of songs came out. He mail-ordered a Rickenbacker 12-string, got the AC30 home from the practice room and started recording those songs. The first release under The Radio Field name was Simple EP, out on Less Records in cooperation with Subjangle Records in the fall 2022, and Lars was asked by good friends to form a real band out of it. Now, with Mark Specht (Drums, founding member of Subterfuge), Christoph Scheider (Bass, former member of Klee, Clayton Farlow, Soap, Soccer) and Philipp Breuer (Lead Guitar, of Pale fame) -people sharing similar tastes and a musical vision- an album full of songs was arranged in no time and recordings were started already at the second rehearsal. What started as the jangly back-to-the-roots lockdown home recording project of Lars Schmidt is now a proper band and the debut album, Don’ts and Dos will be out on August 25th, again on Subjangle and Less Records, accompanied by a national tour.

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Cut Worms – Cut Worms

Tiziano Casola per TRISTE©

Chi è questo Cut Worms? Max Clarke (il nome vero lo leggo da Wikipedia) è un cantautore americano. Per il resto confesso di non saperne nulla, ma non importa, proverò a dire ciò che ho capito di lui ascoltandolo.

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Julie Byrne – The Greater Wings

Peppe Trotta per TRISTE©

Musica come voce dell’anima, lessico attraverso cui esprimere il proprio sentire, rinunciando ad ogni ulteriore logica che non sia quella di una sincera trasmissione di emozioni. Nella sua ancora breve – almeno per numero di produzioni – carriera artistica Julie Byrne si è fin da principio distinta per il suo distacco da mere logiche discografiche, al punto che l’improvvisa notorietà scaturita dopo la pubblicazione del suo primo vero lavoro sulla lunga distanza le è piovuta addosso inaspettata.

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Micah P. Hinson @Hana-Bi – Marina di Ravenna, 19/07/2023

Micah P. Hinson (@Alessandra Trirè)

Alessandra Trirè per TRISTE©

“My name is Micah Paul Hinson“.
Apre così, ormai per consuetudine, e di certo non più per scansare gli equivoci sulla pronuncia del suo nome (MÀICA, non MÌCA) come era solito fare durante i primi concerti da queste parti, ormai più di dieci anni fa.
E infatti, subito dopo il caloroso applauso del pubblico che segue questa sua presentazione, col solito piglio ironico e divertito che lo contraddistingue, aggiunge:
“F*ck, I didn’t know my name was so popular around here“.

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(Make Me A) TRISTE© Mixtape Episode 122: Freda D’Souza

Freda D’Souza (©Daniel Glenn Padgett)

Singer-songwriter and multi-instrumentalist Freda D’Souza is an artist who contentedly creates at snail’s pace. Her world is small; simplicity reveals detail and, in turn, detail reveals infinity. Her songs place the unspeakable intensity of love and life within a warm and shimmering sonic world, filled with layered vocals, lush strings and dynamic arrangements. Out June 2023 on demo records and Crossness Records, her debut EP Windowledge, performed, recorded and mixed at home by Freda and mastered by Jake Reynolds, explores the trials of intimacy and the value of introspection and forging space for reflection. Freda cherishes space. In space, there is tenderness.
Drawing from classic and contemporary folk and experimental reference points (as much Vashti Bunyan and Joni Mitchell as Aldous Harding and Jenny Hval), Windowledge is a spacious and shimmering introduction to a singular emerging talent.

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