American Cream Band – Twin (track by track)

American Cream Band was formed around thirteen years ago by Twin Cities musician Nathan Nelson. Its music emerged from improvised live performances that were later transformed into exhilarating, fully immersive studio albums. The band’s first three records, along with several singles and EPs, were released on labels such as Moon Glyph and Medium Sound. Presents, released in 2023, marked the first collaboration between Nelson’s collective and the esteemed label Quindi Records from Florence, Italy. With Twin, released on June 6, American Cream Band delivers what may well be its masterpiece to date. Built around the concept of duality, the album thrives on contrasts: movement and reflection, tension and release, masculine and feminine energies, all intertwined through the magnetic vocal interplay between Nathan Nelson and the outstanding Liz Buhmann. Drawing on krautrock, post-punk, funk, psychedelia, and art-pop, Twin balances bold experimentation with an immediate and infectious sense of groove. Tracks such as Don’t Burn the House Down and Ethical Vampire showcase the band’s dynamic, improvisational spirit, while the more contemplative moments reveal a sensitivity and subtlety that enrich the album’s overall vision. What makes Twin so compelling is its ability to reconcile opposites without sacrificing momentum or cohesion. Sonically rich, boldly expressive, and deeply collaborative, the album feels both expansive and focused: a celebration of connection, creativity, and collective energy in uncertain times. The illegitimate offspring of a collective sexual congress between early Talking Heads and The B-52s, American Cream Band channels a raw yet sophisticated energy that feels strangely out of time. Their music seems to belong to an era when optimism still outweighed disillusionment. In that sense, Twin may be the antidote we desperately need to escape the darkness and hopelessness that this filthy world has thrown us into.

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Fran Carlyon – Living Your Last Chance (Single)

Fran Carlyon (©Julia Chouffot)

Fran Carlyon is a songwriter from Southend-on-Sea, England, crafting quiet, home-recorded lo-fi “folk for ages”. Since beginning his musical project in 2023, Fran has shaped a sound that feels both intimate and unguarded -songs that seem to drift from a late-night room out into the wider world, blending quiet strums with gentle storytelling. Away from his recordings, he is very active in the underground independent scene, writing for HeavyMetalKids.uk and DJing at Ship Full Of Bombs, Southend’s alternative radio station. He released seven singles -including, in 2025, Ten Years (demo), Freedom (Or Control) and Sometimes (they just fall out of the sky) / Running On Emptiness – which carry a sense of calm observation, offering moments of stillness that quietly stay with you. Karina Gill (of Cindy, Hospital and Flowertown) said about him: “Fran Carlyon gives his songs space for his own meaning and for us to make our own while not depriving anyone of something pretty too.
His latest release is Living Your Last Chance, a new single written and recorded at his home between March and April and released just a few days ago. It’s the most beautiful song Fran has written so far. And since he plans to spend the winter in retreat to write more, we’re sure there’s some fantastic news to come.

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Vines – Birthday Party

Atmosfere rarefatte permeate da strisciante malinconia tra le quali a tratti rimangono impigliate scarne parole che raccontano i tumulti di un’anima fragile.
Si apre ad un universo sonoro più introverso e diretto la musica di Cassie Wieland – nota fin qui soprattutto in qualità di compositrice pura – inaugurando un nuovo progetto, che la vede schierata in primo piano anche se ancora coadiuvata da una folta schiera di collaboratori.

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Daniela Pes – Spira

Peppe Trotta per TRISTE©

Creare aspettativa, insinuare curiosità, costruire un fenomeno mediatico affidandosi a (neanche troppo) complesse operazioni di marketing è oggi una strategia ampiamente utilizzata in ambito discografico e ritrovarsi in dirittura d’arrivo davanti un prodotto discutibile, se non mediocre, è un rischio costante. Il famigerato hype non dipende comunque sempre e solo da chi vende, ma può essere ugualmente innescato da chi segue determinati flussi musicali e dimostrarsi non di rado perfettamente giustificato.
Le nuove uscite curate dalla Tanca Records – sub-label di Trovarobato, fondata e diretta da Jacopo Incani/Iosonouncane – si collocano a pieno titolo in questa seconda ottica, spinte dal gusto preminente per la piena libertà espressiva e l’esplorazione di linguaggi peculiari, se non innovativi, alla base delle scelte dell’etichetta. Dopo l’interessante esordio di Vieri Cervelli Montel dello scorso anno, tocca a Daniela Pes presentare la sua opera prima provando a non deludere le attese e possiamo dire fin da subito che l’obiettivo è stato pienamente raggiunto.

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Do Nothing – Snake Sideways

Francesco Giordani per TRISTE©

Temevano che la band di Nottingham, che tanto ci aveva colpito con le pastose ruminazioni falliane di LeBron James (in pratica gli Yard Act con tre anni d’anticipo), si fosse persa dopo aver messo a segno due colpi consecutivi non da poco come gli ep Zero Dollar Bill del 2020 e Glueland del 2021.
L’esordio lungo Snake Sideways mette a tacere le nostre paure, dimostrandole ingiustificate, e rilancia semmai le ambizioni di una band che, sebbene ancora non del tutto capace di scindersi dalla cosiddetta scena neo-post-punk di provenienza, pare quantomeno aver trovato la via, non priva di peripezie, per arrivare esattamente al centro di sé stessa.

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