(Make Me A) TRISTE© Mixtape Episode 184: The Gentle Spring

The Gentle Spring (©Philippe Dufour)

The Gentle Spring are a new group, formed by Michael Hiscock, Emilie Guillaumot and Jérémie Orsel. Michael has an illustrious pop history, having been a founder member of The Field Mice, possibly the most beloved band on Sarah Records in the 1990s. When Michael and his friend Bobby Wratten formed The Field Mice, the two of them very quickly created a set of songs whose emotional honesty, raw guitars and perfect pop melodies pierced the hearts of a generation of indiepop fans, kids who were unmoved by the posturing of mainstream indie, and who didn’t want to spend time in fields dancing at 24-hour raves. The Field Mice were the band who defined the meaning and the spirit of Sarah Records.  Defiantly in love with pop, defiantly un-macho, defiantly… sensitive. And now, remarkably, Michael has done it again. With his new musical partner Emilie, The Gentle Spring have created a fresh new iteration of indiepop music. Once again, the songs are unafraid of raw emotions, brutally honest and is still in love with big pop melodies. They are still…. sensitive.
Their first album, Looking Back at The World, will be out via Skep Wax Records on January 17th 2025.

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Field Music – Limits of Language

Nei coriandoli di tempo disponibili, ahimè sempre più rari e microscopici, continuo a seguire con sincero interesse le vicende di alcuni reduci dei cosiddetti anni Zero a cui si legano tanti piacevolissimi ricordi della mia prima giovinezza. Se i Libertines, alle soglie dei una mezza età splendidamente portata, si sono concessi il lusso di firmare uno dei loro dischi più coesi e ispirati di sempre (tenendo nel conto anche le produzioni collaterali dei due luogotenenti Barat e Doherty), qualcosa di non troppo dissimile è riuscito ai sin troppo taciuti, ormai quasi dati per scontati (faccio mestamente mea culpa…) Elbow di AUDIO VERTIGO. Restando a nord e spostandosi dalla contea della grande Manchester a quella del Northumberland, anche i sempre cari Maxïmo Park hanno saputo scaldare quest’inizio di inverno con un disco luminoso, Stream of Life, che fatica non poco ad uscire dal mio lettore, tante sono le emozioni e i ricordi che canzoni come Favourite Songs o The End Can Be As Good As The Start suscitano ad ogni nuovo ascolto.

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Songs of Green Pheasant – Have Patience (single)

Songs Of Green Pheasant is the work of Duncan Sumpner, an artist / teacher from Oughtibridge in Sheffield. His self-titled debut album was released on FatCat in August 2005, and drew widespread praise. Fragile, yet coherent and utterly charming songs with a warm cloudy depth, sweet melodies and some gorgeous vocal harmonising, beautifully sung and played. In the following couple of years, Songs Of Green Pheasant had two more records on FatCat: Aerial Days (2006) and Gyllyng Street (2007). After a five year’s hiatus Sumpner and his project returned with Soft Wounds, via Rusted Rail, “micro-Independent record label” based in Galway, Ireland. In 2015 Songs Of Green Pheasant self-released two mini album: Horseflesh – Chapter 1, a short comic book dedicated to Vinni Reilly which also contained a 5-track CD of original songs, and Mullock and Moil, a nine-songs mini-album that accompanied a 24 page illustrated book. Until today the latest offering from Songs Of Green Pheasant was When The Weather Clears a new album which, after a tormented implementation process, was out, again via Rusted Rail on December 4th 2020 (and reprinted a couple of times since). Today Rusted Rail announced the release of a new double A-sided digital single by Songs of Green Pheasant: Have Patience/Street of Mirrors.

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(Make Me A) TRISTE© Mixtape Episode 183: Rocky Lorelei

Rocky Lorelei

Rocky Lorelei represents the solo lo fi musical work of Rachel Taylor (also member of Slipper), who was born and raised beside Lake Ontario in Toronto, and is currently set up in Berlin. Her musical processes run parallel to her psychic processes; writing and recording songs is her most vital means of cultivating an understanding of her inner and outer life experiences, bringing a symmetry to her music and her sense of self. Began as just bedroom recordings in Toronto, when Rocky moved to Glasgow in 2016 -encouraged by Sean Armstrong (Spinning Coin, The Yawns, Slipper)- she also moved the project onto the stage. “Rocky Lorelei began as a bedroom recording project in around 2012 in Toronto; a dear friend gifted me a 4-track, and off I went into the strange and tiny world of recording onto cassette, a zone which I have remained in ever since. I figured out how to record and produce my songs on my own (with a little help from my friends) and then spent some time writing, recording, and releasing a couple of EP’s in my room, up until I moved from Toronto to the UK in 2015. I eventually landed in Glasgow (Scotland) and it was there that Rocky Lorelei became a live project as well. Since then I have moved to Berlin, where I continue to document aspects of my psychic life through songs, to record them onto tape, and to play them live. I have co-founded a cassette label here, called Rehberge Records, through which my collaborator Sean Armstrong and I release our work —our most recent release being my new album Bury My Face In A Flower“.

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Soap&Skin – Torso

Se mi venisse chiesto quale è stato l’ultimo disco di debutto ad avermi folgorato fin dal primo ascolto senza mai cedere una briciola in intensità nel corso degli anni, non avrei alcun dubbio su cosa rispondere. Lovetune For Vacuum fu amore puro al primo ascolto, rapimento ed estasi che nel tempo si sono rinnovati, anche se con forza minore, nei lavori successivi firmati Soap&Skin.

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