Start Together – Skeptics (single premiere)

Start Together are Gerard, James, Emma & Demetry. While clearly influenced by genre pioneer bands like Sonic Youth, The Cure and New Order, the Meanjin (Brisbane) four-piece Start Together create their own unique brand of shoegaze/post-everything/guitar wonderfulness. In 2018 Start Together released three singles independently; Xmal Inveigle, a post-rock slow burner, Being Born, an almost obnoxious, high-energy post-punk assault to the ears, and 9617 Graham Chapman, a comparatively more sedate and reflective shoegaze track. 2019 saw the release of their single Az Nem Verhat to complement a run of highly anticipated live shows, including supporting local favourites Hatchie and Sweater Curse on their respective tours.
Emerging from the post-COVID blues with a full-length release that has been in the slow-cooker, Start Together are now ready to present their first offerings from their long-awaited debut album. Released in June, Separate Beds is an intricately weaved tapestry of pop hooks and call-and-response choruses blended to create a dark, gorgeous guitar-driven soundscape. On the new single, Skeptics – a gorgeous instrumental – the quartet once again demonstrate their knack for weaving pop hooks with more intricate songwriting ideas to create a glistening, guitar-driven journey. Both songs are early tastes of their long-awaited debut album (due early September).

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Grand Drifter – Beautiful Praise (Video premiere)

Grand Drifter (© Daniela Tornato)

Since 2016 Grand Drifter is Italy-based Andrea Calvo’s musical project (voice, guitar,
instruments). Sometimes as a band, sometimes him alone.
In 2018 the electroacoustic debut Lost Spring Songs (Sciopero Records): Here a gentle, delicate and introspective songwriting, ranges between emotional coordinates linked to a sort of unquiet Simon & Garfunkel, to the Beatles’ White Album and some glances over pop-rock. In 2021 the more electric Only Child (Subjangle) still follows that wistful and intimate path, adding strong reminds of some Sarah Records albums, Belle and Sebastian popness, Grant McLennan’s melody.
The new album Paradise Window will be released on CD and digital on September 8th, 2023 via Subjangle (UK).

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TRISTE© Radio per Indi(e)pendenze 2

Radio is a sound salvation
Radio is cleaning up the nation
They say you better listen to the voice of reason
But they don’t give you any choice
‘Cause they think that it’s treason
So you had better do as you are told
You better listen to the radio

(Elvis Costello – Radio, Radio)

Riflettendoci con un po’ di calma, è stato nel momento esatto in cui la televisione ha invaso il campo della radio che è iniziato il declino.
Certo, ci sono stati, per un po’, anni di vacche grasse: Mr. Fantasy, Videomusic, MTV (soprattutto MTV 120 Minutes, naturalmente), ma i Buggles ci avevano visto benissimo e sono stati, purtroppo, profetici. Il video non solo ha assassinato la star della radio, ma ha finito per contaminare tutto, annacquando (definitivamente?) anche la forza dirompente della musica per standardizzarla ai gusti della massa (nel contempo facendo provare a quella stessa massa, con un paio di tatuaggi sulla faccia e qualche innocua volgarità, anche il brivido di una falsa trasgressione).

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Robbi Curtice – Nothing To Write Home About

Francesco Amoroso per TRISTE©

“Not only has there never before been a society so obsessed with the cultural artifacts of its immediate past, but there has never before been a society that is able to access the immediate past so easily and so copiously.”
(Simon Reynolds – Retromania)

Sostiene Simon Reynolds, in quello che -senza dubbio- è il saggio più importante per comprendere il mondo della musica “leggera” dell’ultimo quarto di secolo- che l’era pop in cui viviamo adora tutto ciò che è retrò e commemorativo. La musica pop(ular) in passato creava un senso di speranza, continua Reynolds, era proiettata verso il futuro e produceva movimenti innovativi come la psichedelia negli anni 60, il post punk negli anni 70, l’hip-hop negli anni 80 e la rave-culture negli anni 90. La musica degli anni Duemila, invece, è stata prima minacciata, poi spodestata, infine annientata dal passato. E, se all’inizio il problema era soprattutto industriale – revival, ristampe, cofanetti, edizioni rimasterizzate, reunion di band, pubblicazione di biografie, memoir e documentari- da molto tempo ormai è una questione d’ispirazione: invece di produrre nuova musica per esprimere se stessi, i giovani artisti e le band esordienti sono saldamente ancorati alla musica del passato. Ne siamo rimasti invischiati tutti.

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(Make Me A) TRISTE© Mixtape Episode 116: This Is The Kit

This Is The Kit (©Cedric Oberlin)

This Is The Kit, the nom de plume of Kate Stables, has been in existence since the 00s, when Kate moved to Bristol and started playing and collaborating with local musicians.
Now, based in Paris, Kate Stables’ group This Is The Kit have five albums under her/their belt. This Is The Kit’s first album, Krülle Bol (2008), was produced in Bristol by John Parish. The band’s second album, Wriggle Out the Restless, was released in 2010 with the help of Rozi Plain, Jim Barr and Francois & the Atlas Mountains. In 2015 their third studio LP Bashed Out was produced by Aaron Dessner of The National on his Brassland label. In 2017 the band’s fourth LP Moonshine Freeze was released on Rough Trade. In 2018, Stables was invited to join The National on the road for multiple tours and TV appearances – a continuation of her contributions on their album I Am Easy To Find. Their second album for Rough Trade Records, Off Off On, (2020) was recorded just before the pandemic forced the world to pause, with producer Josh Kaufman, a New York-based musician, Hold Steady collaborator and member of Bonny Light Horseman and Muzz. Careful Of Your Keeper, the sixth album by This Is The Kit, produced by Gruff Rhys, will be out tomorrow, June 9th, again on Rough Trade.

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