Oceans are Thomas Lee (guitar, vocals), Michael Fox (lead guitar), Sam Black (rhythm guitar), Tom Mcmullin (bass), and Mitch Hicks (drums), a five piece shoegaze band based in Naarm/Melbourne, Australia. With inspirations varying from Joy Division and Slowdive to Boards of Canada and Tycho, the heart of Oceans’ sound is a dedication to experimentation and timbre, creating vast sonic landscapes inspired by ambient, new wave and 90’s shoegaze. Across Oceans’ breakthrough EP’s Come So Far, Live at Dangertone Studios and collaborative effort with UK’s self-titled Wilt, they’ve landed features from Beat Magazine, Backseat Mafia and Trouble Juice, and shows alongside the likes of Grazer and Allysha Joy. As stalwarts in the local scene with their sights firmly set on an international stage, Oceans return to deliver a hard-hitting and emotive ten track LP Dreamers in Dark Cities via Portland label Shelflife Records. Recorded and produced with legendary Australian producer Lindsay Gravina (Rowland S. Howard, Magic Dirt), the LP was written during the 2020 lockdown period, exploring the themes of living in isolation in a once vibrant city that now stands silent as one of the longest locked down cities in the world. The album, which combines lush synth pads with haunting melodies of the baritone guitar setting a moody soundscape for the emotive vocal harmonies, will be out on March 24th.

The Primitives emerged from the UK independent music scene of the mid-1980s, with a sound that distilled the shimmering guitar chime of The Byrds, the buzzsaw style of The Ramones and 60’s girl group melodies into two-and-a-half-minute pop gems.
After topping the indie singles chart several times, their widely acclaimed first album, Lovely, (released in 1988), made them one of the UK’s most revered alternative rock acts, while the international success of the single Crash saw them cross over to a mass audience. Further chart success followed, along with two more studio albums, Pure (1989) and Galore (1991), plus extensive tours of Europe and the US, before the band called it a day in 1992.
In 2008, Mojo Magazine named The Primitives’ second single ‘Really Stupid’ one of the top 40 greatest UK indie singles of all time. The band were reunited in 2009 by the untimely passing of their original bass player Steve Dullaghan, reforming to play a show in his memory later that year in their hometown Coventry; their first time on stage together for 17 years. Bolstered by the success of this and of a secret show in London, they went on to tour the UK in April 2010, followed by shows in the US and mainland Europe. The Primitives released the Never Kill A Secret EP through Fortuna Pop! in 2011 and, in 2012, a covers album Echoes and Rhymes, on Elefant Records.
An album of new original Primitives songs entitled Spin-O-Rama was released in 2014.
The Primitives went back into the studio in late 2016 to record tracks for the New Thrills EP, which was released in May 2017. Bloom! The Full Story 1985-1992, a 5 CD box set exploring the first wave of The Primitives’ career was released in 2020 on Cherry Red Records. In 2022 the band released the single Don’t Know Where To Start, their first new material in six years. The current line-up of the band includes original members Tracy Tracy (vocals), Paul Court (guitar/vocals) and Tig Williams (drums).
Don’t Know Where To Start is out now on Happy Happy Birthday To Me Records.

Marlody is from Ashford, Kent. When she was a girl, Marlody was one of the higher-achieving classical pianists of her generation, winning competitions and destined for greatness.  She hated it, and threw it all away.  In the intervening years, putting more and more distance between herself and her classical origins, she listened to Yo La Tengo and Shellac and a hundred other things that took music to new, untutored extremes. Marlody’s first album I’m Not Sure At All takes anxiety, weakness, fear – and turns them into strength: powerful melodies, the sweetest harmonies you ever heard, and lyrics that insist on the possibility of hope, without losing sight of the possibility of despair. Dominated by her extraordinary keyboard playing, Marlody’s songs are illuminated – and sometimes made sinister – by occasional bursts of programmed percussion, submarine bass and distant, chiming digital bells. These are deep, darkly beautiful pop songs which are strangely uplifting: they offer up their truths so calmly and are so generously wrapped in harmonies that they feel like gifts. I’m Not Sure At All is out now on Skep Wax.