(Make Me A) TRISTE© Mixtape Episode 101: The Primitives

The Primitives

The Primitives emerged from the UK independent music scene of the mid-1980s, with a sound that distilled the shimmering guitar chime of The Byrds, the buzzsaw style of The Ramones and 60’s girl group melodies into two-and-a-half-minute pop gems.
After topping the indie singles chart several times, their widely acclaimed first album, Lovely, (released in 1988), made them one of the UK’s most revered alternative rock acts, while the international success of the single Crash saw them cross over to a mass audience. Further chart success followed, along with two more studio albums, Pure (1989) and Galore (1991), plus extensive tours of Europe and the US, before the band called it a day in 1992.
In 2008, Mojo Magazine named The Primitives’ second single ‘Really Stupid’ one of the top 40 greatest UK indie singles of all time. The band were reunited in 2009 by the untimely passing of their original bass player Steve Dullaghan, reforming to play a show in his memory later that year in their hometown Coventry; their first time on stage together for 17 years. Bolstered by the success of this and of a secret show in London, they went on to tour the UK in April 2010, followed by shows in the US and mainland Europe. The Primitives released the Never Kill A Secret EP through Fortuna Pop! in 2011 and, in 2012, a covers album Echoes and Rhymes, on Elefant Records.
An album of new original Primitives songs entitled Spin-O-Rama was released in 2014.
The Primitives went back into the studio in late 2016 to record tracks for the New Thrills EP, which was released in May 2017. Bloom! The Full Story 1985-1992, a 5 CD box set exploring the first wave of The Primitives’ career was released in 2020 on Cherry Red Records. In 2022 the band released the single Don’t Know Where To Start, their first new material in six years. The current line-up of the band includes original members Tracy Tracy (vocals), Paul Court (guitar/vocals) and Tig Williams (drums).
Don’t Know Where To Start is out now on Happy Happy Birthday To Me Records.

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Ryuichi Sakamoto – 12

Peppe Trotta per TRISTE©

Avvertire costantemente la presenza del vuoto, sentire in modo prepotente la caducità della vita è un motore emotivo potente quanto incontrollabile, forza che può spingere in direzioni diverse con impeto mutevole.
Nell’esperienza di Ryuichi Sakamoto l’ombra profonda derivante dalla lotta prolungata con il cancro si è tradotta nell’ultimo decennio in un fare artistico diluito, ma anche di rara intensità. Lo ha testimoniato l’eccellente async  – risalente a ben sei anni fa – e ne è prova tangibile il nuovo 12.

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Complete Mountain Almanac – Complete Mountain Almanac

Francesco Amoroso per TRISTE©

Sarà una questione anagrafica, ma a me la parola Almanacco fa venire in mente solo una cosa: l’Almanacco del Giorno Dopo. era un programma “preserale” (dubito che allora si usasse questo termine, comunque) che iniziava con con l’indicazione delle effemeridi del sole e della luna, cioè dell’orario in cui sarebbero sorti e tramontati il giorno successivo, seguite dal santo del giorno e dalla rubrica “Domani avvenne“, con filmati storici, dedicati a un fatto accaduto in passato nel giorno dopo.
L’Almanacco del Giorno Dopo, con la sua sigla, le sue rubriche sempre uguali e dal sapore lontano di Italia rurale e bigotta, mi facevano sentire al sicuro e ora, inevitabilmente, mi rimandano a un passato idilliaco (naturalmente solo immaginato e non vissuto, visto che stiamo parlando degli anni di piombo…).
Sento la parola Almanacco e mi sento rasserenato.

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Gaz Coombes – Turn The Car Around

Francesco Giordani per TRISTE©

Ripenso agli anni 90, con le pupille ancora foderate dei fotogrammi malinconicamente opalescenti, crepuscolari di Aftersun, mentre da Spotify fa capolino la copertina del disco d’esordio degli Italia 90 -competizione di cui serbo un unico ma assai preciso ricordo: la statuetta di Gianluca Vialli, in equilibrio su una gamba sola, “pietrificato” in icona portatile giusto un attimo primo di calciare un pallone già destinato alle rete. Qualcuno, per qualche motivo, mi regalò quella statuetta comprandola all’interno del policlinico Gemelli di Roma, forse mentre aspettavo di far visita a mia nonna, da poco operata (peraltro proprio alla gamba).

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(Make Me A) TRISTE© Mixtape Episode 100: Gnac (+ Betweenness Premiere)

Gnac (Mark Tranmer)

GNAC is a musical project by Mark Tranmer that began in 1990. The inclusion of early single The Broken Fall on Tim Burgess & Bob Stanley’s 2019 Tim Peaks compilation, was a catalyst for recent GNAC activity: Tranmer performed & recorded the album Afternoon Frost (2021) from his home studio in Stirling, Scotland, during 2020ʼs enforced solitude. There was a Tim’s Twitter Listening Party for the album, and tracks played on BBC 6 music. A new GNAC album, The Echoes On Departure, will be released on vinyl, CD, & digital on 24th March 2023, preceded by the single/video Betweenness, which is premiered here today for the first time.
GNAC have played live in Seville, Manchester, London, Glasgow & Stirling with more dates in 2023. GNAC music has been used on TV – e.g. BBC documentaries on David Hockney, & John le Carré. As well as being a member of GNAC, Mark Tranmer was also a member of The Montgolfier Brothers with the late Roger Quigley (1969-2020) R.I.P.. The Montgolfier Brothers recorded for Alan McGee’s post Creation label, Poptones, as well as for Salford-based Vespertine Records. Mark Tranmer is a member of Vetchinsky Settings with James Hackett of Glasgow band The Orchids. Tranmer also recorded an album with Italian classical piano virtuoso, Alessandra Celletti, in Rome.

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